The Spectacular State 在線電子書 pdf 下載 txt下載 epub 下載 mobi 下載 2024


The Spectacular State

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Laura L. Adams 作者
Duke University Press Books
譯者
2010-2-5 出版日期
256 頁數
USD 84.95 價格
Hardcover
Politics, History, and Culture 叢書系列
9780822346517 圖書編碼

The Spectacular State 在線電子書 圖書標籤: 比較政治  文化  烏茲彆剋斯坦  中亞  Tashkent  PoliSci  EurasianStudies   


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The Spectacular State 在線電子書 epub 下載 mobi 下載 pdf 下載 txt 下載 2024

The Spectacular State 在線電子書 epub 下載 pdf 下載 mobi 下載 txt 下載 2024

The Spectacular State 在線電子書 pdf 下載 txt下載 epub 下載 mobi 下載 2024



The Spectacular State 在線電子書 用戶評價

評分

中亞朝鮮隻有土苦慢?讀瞭這書,烏茲彆剋也讓人想到朝鮮,隻是搖搖欲墜。關於大型集體活動與國傢建構。

評分

中亞朝鮮隻有土苦慢?讀瞭這書,烏茲彆剋也讓人想到朝鮮,隻是搖搖欲墜。關於大型集體活動與國傢建構。

評分

中亞朝鮮隻有土苦慢?讀瞭這書,烏茲彆剋也讓人想到朝鮮,隻是搖搖欲墜。關於大型集體活動與國傢建構。

評分

中亞朝鮮隻有土苦慢?讀瞭這書,烏茲彆剋也讓人想到朝鮮,隻是搖搖欲墜。關於大型集體活動與國傢建構。

評分

中亞朝鮮隻有土苦慢?讀瞭這書,烏茲彆剋也讓人想到朝鮮,隻是搖搖欲墜。關於大型集體活動與國傢建構。

The Spectacular State 在線電子書 著者簡介

Laura L. Adams is a lecturer on sociology and co-director of the Program on Central Asia and the Caucasus at Harvard University.


The Spectacular State 在線電子書 著者簡介


The Spectacular State 在線電子書 pdf 下載 txt下載 epub 下載 mobi 在線電子書下載

The Spectacular State 在線電子書 圖書描述

By exploring Uzbekistan's production of national culture in the 1990s, Laura L. Adams offers unique insight into nation building in Central Asia during the post-Soviet era. As she explains, the Uzbek government maintained a monopoly over ideology after independence, and Soviet institutional and cultural legacies remained. The state expressed national identity through tightly controlled mass spectacles, including theatrical and musical performances. Adams focuses on these events, particularly the massive outdoor concerts the government staged on the two biggest national holidays, Navro'z, the spring equinox celebration, and Independence Day. Her analysis of the content, form, and manner of production of these ceremonies shows how Uzbekistan's cultural and political elites engaged in a highly directive, largely successful program of nation building through culture. Adams draws on observations and interviews she conducted with artists, intellectuals, and bureaucrats involved in the production of Uzbekistan's national culture. These elites used globalized cultural forms such as Olympics-style spectacle to showcase local, national, and international aspects of official culture. While these state-sponsored extravaganzas were intended to be displays of Uzbekistan's ethnic and civic national identity, Adams found that cultural renewal in the decade after Uzbekistan's independence was not so much a rejection of Soviet power as it was a re-appropriation of Soviet methods of control and ideas about culture. The public sphere actually became more restricted than it had been in Soviet times, even as Soviet-era ideas about ethnic and national identity paved the way for Uzbekistan to join a far more open global community. Coming to political independence in an age of globalization, Uzbekistan's cultural elites struggled to balance their desire to create a postcolonial culture with the often conflicting demands of the state and the global marketplace.

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