ed. Achim Heine, Rebekka Reuter, Ulrike Willingmann,
texts by Achim Heine, Barbara P. Hitchcock, Florian Kaps,
graphic design by Heine / Lenz / Zizka
While the world evaporates into the digital, the anachronistic Polaroid snapshot dominates media and advertising. The recent sale of the photography collection owned by Polaroid’s inventor, Edwin Land, to the Viennese photography
museum WestLicht marks an artmarket trend toward the analog. Beginning in the sixties, Polaroid supplied artists around the world, from Ansel Adams to Andy Warhol, with each one of the imperium’s latest products. In return, 4,400 works by 800 photographers found their way into the company’s International Collection at their European headquarters near Frankfurt am Main. In 2008, when the last instant-film factory was rescued from demolition by the company Impossible, the founder’s commitment to collecting could be carried on as well. This publication
features selected Polaroid masterpieces and new Impossible instant photography by contemporary artists such as Stefanie Schneider and Nobuyoshi Araki.
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妻子從傢中上百本HatjeCantz社藏書裏找齣瞭這本舊書 下一期的#毒墟#專題準備就緒——Polaroid vs. Sofubi
评分在涉榖loft放在一堆寶麗來相機上麵,看到安迪沃霍爾的封麵就買瞭下來,本來想放在店裏供大傢翻閱,翻瞭一遍下來竟然有些捨不得,特彆棒!特彆是放大版的寶麗來照片,紋理都特彆清晰,好似看到瞭原作。
评分在涉榖loft放在一堆寶麗來相機上麵,看到安迪沃霍爾的封麵就買瞭下來,本來想放在店裏供大傢翻閱,翻瞭一遍下來竟然有些捨不得,特彆棒!特彆是放大版的寶麗來照片,紋理都特彆清晰,好似看到瞭原作。
评分質感非常的好,照片上的紋路與觸感非常棒! 推薦收藏
评分好大一本
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