Amos Oz's new fiction presents a surreal and unsettling portrait of a village in Israel. A picture of the community takes shape across seven stories, in which a group of characters appear and return. Each villager is searching for something, yet in this almost dreamlike world nothing is certain, nothing is resolved. An old man grumbles to his daughter about the unexplained digging and banging he hears under the house at night. A stranger turns up at a man's door, to persuade him that they must get rid of his ageing mother in order to sell the house. A man goes to his neighbours for regular evenings of music and old pioneer songs, but is overwhelmingly drawn to the tragic heart of the house. Behind each episode is another, hidden story - a glimpse of what goes on beneath the surface of everyday existence. This book concludes with an eighth story, shocking and strange, from another place and a distant time. In beautifully simple, poetic language, Amos Oz peers into the darkness of our lives in this powerful, hypnotic work.
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刚开始仍觉得了不起，读到倒数几篇时已经变得索然无味。这本书还不如初出茅庐的奥兹写的《胡狼》。他的所有小说都重复当代小说中陈腐的母题，没有新意和自己的见解，然而胡狼中仍然有激情和生动的细节，这本已经没有了。
评分刚开始仍觉得了不起，读到倒数几篇时已经变得索然无味。这本书还不如初出茅庐的奥兹写的《胡狼》。他的所有小说都重复当代小说中陈腐的母题，没有新意和自己的见解，然而胡狼中仍然有激情和生动的细节，这本已经没有了。
评分刚开始仍觉得了不起，读到倒数几篇时已经变得索然无味。这本书还不如初出茅庐的奥兹写的《胡狼》。他的所有小说都重复当代小说中陈腐的母题，没有新意和自己的见解，然而胡狼中仍然有激情和生动的细节，这本已经没有了。
评分3.5星。或许是奥兹致敬对他影响颇深的美国作家Sherwood Anderson而写的以色列版《小镇畸人》。人生本来就没那么多大团圆，全是怅然和孤独。奥兹写女人还是比写男人厉害多了，个人比较喜欢那几篇以女性为主要角色的故事。
评分3.5星。或许是奥兹致敬对他影响颇深的美国作家Sherwood Anderson而写的以色列版《小镇畸人》。人生本来就没那么多大团圆，全是怅然和孤独。奥兹写女人还是比写男人厉害多了，个人比较喜欢那几篇以女性为主要角色的故事。
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