Robin Wright has reported from more than a 140 countries on six continents for The Washington Post, The Los Angeles Times, The New Yorker, The New York Times Magazine, TIME magazine, The Sunday Times of London, The Atlantic Monthly, Foreign Affairs, Foreign Policy, the International Herald Tribune and others. Her foreign tours include the Middle East, Europe, Africa, and Asia.

Wright has been a fellow at the U.S. Institute of Peace, Woodrow Wilson International Center for Scholars, Brookings Institution, Carnegie Endowment for International Peace Yale, Duke, Stanford, University of California at Santa Barbara, and University of Southern California.

Among many awards, she won the U.N. Correspondents Association Gold Medal for coverage of foreign affairs, the National Magazine Award, and the Overseas Press Club Award for "best reporting in any medium requiring exceptional courage and initiative." The American Academy of Diplomacy selected her as the journalist of the year in 2004. She is also the recipient of a John D. and Catherine T. Foundation grant.

Her books include Rock the Casbah, Dreams and Shadows: The Future of the Middle East, The Last Great Revolution: Turmoil and Transformation in Iran, Sacred Rage: The Wrath of Militant Islam, Flashpoints: Promise and Peril in a New World, and In the Name of God: The Khomeini Decade.

She is a frequent television commentator on foreign affairs. She has appeared on Meet the Press, This Week, Face the Nation, Charlie Rose, Larry King, all the major morning and evening newscasts on NBC, ABC, CBS, PBS, CNN and MSNBC.

A decade after the 9/11 attacks, this groundbreaking book takes readers deep into rebellions against both autocrats and extremists that are redefining politics, culture, and security threats across the Islamic world. The awakening involves hundreds of millions of people. And the political transformations— and tectonic changes—are only beginning. Robin Wright, an acclaimed foreign correspondent and television commentator, has covered the region for four decades. She witnessed the full cycle, from extremism’s angry birth and globalization to the rise of new movements transforming the last bloc of countries to hold out against democracy. Now, in Rock the Casbah, she chronicles the new order being shaped by youthinspired revolts toppling leaders, clerics repudiating al Qaeda, playwrights and poets crafting messages of a counter-jihad, comedians ridiculing militancy, hip-hop rapping against guns and bombs, and women mobilizing for their own rights. This new counter-jihad has many goals. For some, it’s about reforming the faith. For others, it’s about reforming political systems. For most, it’s about achieving basic rights. The common denominator is the rejection of venomous ideologies and suicide bombs, plane hijackings, hostage-takings, and mass violence to achieve those ends. Wright captures a stunning moment in history, one of the region’s four key junctures—along with Iran’s revolution, Israel’s creation, and the Ottoman Empire’s collapse—in a century. The notion of a clash of civilizations is increasingly being replaced by a commonality of civilizations in the twenty-first century. But she candidly details both the possibilities and pitfalls ahead. The new counter-jihad is imaginative and defiant, but Muslim societies are also politically inexperienced and economically challenged.