The Hour of the Star

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Clarice Lispector (1925-1977), the author of such works as Near to the Wild Heart, The Hour of the Star, and The Passion According to G. H., is the internationally acclaimed novelist and short-story writer from Brazil and the subject of Benjamin Moser’s magisterial biography Why This World.

Series editor Benjamin Moser, who contributes afterwords for all four of these new translations, is the author of Why This World: A Biography of Clarice Lispector, due out in paperback from Oxford University Press in May 2012. He also just completed a new translation of Lispector’s The Hour of the Star.

The Irish author Colm Tóibín’s most recent novel, the bestselling Brooklyn, won the 2010 Costa Fiction Award.

出版者:New Directions
作者:Clarice Lispector
出品人:
页数:128
译者:Benjamin Moser
出版时间:2011-11-9
价格:USD 12.95
装帧:Paperback
isbn号码:9780811219495
丛书系列:
图书标签:
  • 巴西 
  • Lispector 
  • 拉美 
  • 小说 
  • 外国文学 
  • 文学 
  • 译本 
  • 英文原版 
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The Hour of the Star, Clarice Lispector’s consummate final novel, may well be her masterpiece. Narrated by the cosmopolitan Rodrigo S.M., this brief, strange, and haunting tale is the story of Macabéa, one of life’s unfortunates. Living in the slums of Rio and eking out a poor living as a typist, Macabéa loves movies, Coca-Cola, and her rat of a boyfriend; she would like to be like Marilyn Monroe, but she is ugly, underfed, sickly, and unloved. Rodrigo recoils from her wretchedness, and yet he cannot avoid the realization that for all her outward misery, Macabéa is inwardly free. She doesn’t seem to know how unhappy she should be. As Macabéa heads toward her absurd death, Lispector employs her pathetic heroine against her urbane, empty narrator—edge of despair to edge of despair—and, working them like a pair of scissors, she cuts away the reader’s preconceived notions about poverty, identity, love, and the art of fiction. In her last book she takes readers close to the true mystery of life and leaves us deep in Lispector territory indeed.

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读后感

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我向C解释说李斯佩克朵的语言很妙,但不是那种经过训练经过教化的妙。她的语言,是不可驯化的。我没有觉得我这句话讲得很抽象。C说会不会是翻译的问题呢?我正想要向他解释时他说,举个例子。好,举一个例子。 例如克拉丽丝李斯佩克朵说“成为女人仿佛都不是她的使命,成为女人...  

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玛卡贝娅的生命是一场漫长的、干瘪的性高潮。她是那么的弱小,空无,缺乏活力,仿佛她的存在只是即将在阳光下变为透明的虚影,可这虚影又那么的广阔,包容着整块受苦的土地。在那几乎就要消失不见的灵魂中,蕴含着一种绵延不绝的吐息,绽放在接近死亡的最后一刻。死亡给了她解...  

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从未见过哪个女性作家这么意识流而残忍地书写现实人生,克拉丽丝·李斯佩克朵的写作笔触是非常风格独特的。作为一个女性,也许和她生活的国境和时代有关,她可没有《微妙》那般的碎碎欢悦小清新,也不会有《天黑前的夏天》那般病态呓语。 如果你不带着沉静和空白的心去读,你很...  

用户评价

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lispector临终前的一本,the most empathetic clarice。Still the death, the vomiting, the bodiliness,但是都更温柔。could have ended a little bit earlier - “you accept anything because you‘ve kissed the wall.”

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读的时候想到了自白派的Sylvia Plath, 这小说没怎么读懂。

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竟然找到了英文的mobi版! 很喜欢。 摘录: Even as a child he had been a lonely creature who found it difficult to breathe in space. The man from the backwoods is, above all, patient. I find it easy to forgive him.

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'...someone who has words at his disposal but who feels that words, in all their uncertainty and shiftiness, will dispose of him.'

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“But sooner or later they fall in the form of rain.” 很奇怪,开头十几页看中文,有一种炸裂的美,英文读来却是平平。果然是中文某些词汇给予的联想和画面太过于根深蒂固。两种译文偶有小出入,不知孰是孰非。

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