具体描述
This guide reveals how writers can utilize cognitive storytelling strategies to craft stories that ignite readers’brains and captivate them through each plot element.
Imagine knowing what the brain craves from every tale it encounters, what fuels the success of any great story, and what keeps readers transfixed. Wired for Story reveals these cognitive secrets—and it’s a game-changer for anyone who has ever set pen to paper.
The vast majority of writing advice focuses on “writing well” as if it were the same as telling a great story. This is exactly where many aspiring writers fail—they strive for beautiful metaphors, authentic dialogue, and interesting characters, losing sight of the one thing that every engaging story must do: ignite the brain’s hardwired desire to learn what happens next. When writers tap into the evolutionary purpose of story and electrify our curiosity, it triggers a delicious dopamine rush that tells us to pay attention. Without it, even the most perfect prose won’t hold anyone’s interest.
Backed by recent breakthroughs in neuroscience as well as examples from novels, screenplays, and short stories, Wired for Story offers a revolutionary look at story as the brain experiences it. Each chapter zeroes in on an aspect of the brain, its corresponding revelation about story, and the way to apply it to your storytelling right now.
作者简介
[美]丽萨·克龙（Lisa Cron）
毕业于加州大学伯克利分校，在出版业工作过十年，之后转入电视行业。从事过诸多工作，一直担任“法庭频道”和“作秀时间”栏目主管制片人，纽约华纳兄弟电影公司、洛杉矶威秀电影公司等的故事顾问。
丽萨在《行家解惑：电影剧本创作》（孤鹰出版社，2004）一书中起着重要作用。她的作品曾发表在故事新秀网及《哈芬顿邮报》上，并在纽约市的第七十八街剧场展演。在洛杉矶的三S、我爱猜字、疯狂猜字及化在你嘴里（她合拍的月度个人作品系列）等节目中也多次出现。多年来，她从未间断过一对一地帮助作者、制片人和代理人开发新的书籍和影片。此外，丽萨还担任过安吉拉•里纳尔迪文学代理公司的代理人。
现在，她是加州大学洛杉矶分校写作项目的教员，和丈夫居住在加利福尼亚州的圣塔莫尼卡市。
目录信息
读后感
书的题目就很喜欢，《你能写出好故事》，肯定的语气，增强你的信心。 写故事是一个循序渐进的过程，不能一蹴而就，写一次，进步一点。但是每次写不能盲目的写，那样只是浪费时间，有的放矢，才能得到提高。 华丽的词藻VS精彩的故事，你中意哪一个？起初的...
评分 评分故事，不是只在写小说时需要，一段精彩的演讲需不需要故事？一个让别人记住你的自我介绍需不需要故事？与上级的汇报呢？客户交流？面试？各类题材的写作，剧本，新媒体编辑，广告文案，还是自己想说又不能说的话... 本书重在方法，方法的意义，在于行动，将方法烂熟于心，它才...
评分1.Humanity's love for stories evolved out of our need to survive 2.A good story need a focus which filters out unnecessary information focus在三个要素上： A.The first factor is the protagonist's issue, meaning the desire of your main character. B.The second...
评分（笔记不定时更新，本次更新16.01.09） 整理丨owlNbee 【1.故事】 【何为故事】 故事：“某人”想要达成一个后来发现很困难的“目标”，在过程中Ta会受到“某些事件”影响，并因而“有所改变”。 “某人”——主角 “目标”——故事的问题 “某些事情”——情节 “有所改变”—...
用户评价
Love the sentence: Memories are continually revised, along with the meaning we derived from them, so that in the future they’ll be of even more use.
评分一个closure，理论性输入暂告一个阶段。
评分Love the sentence: Memories are continually revised, along with the meaning we derived from them, so that in the future they’ll be of even more use.
评分1.Humanity's love for stories evolved out of our need to survive 2.A good story need a focus which filters out unnecessary information 3.Empathizing with the protagonist's emotions engages the reader with the story 4.only a protagonist with a clear internal goal can make the reader truly engaged in the story 5.To engage with a story, we need ……
评分1.Humanity's love for stories evolved out of our need to survive 2.A good story need a focus which filters out unnecessary information 3.Empathizing with the protagonist's emotions engages the reader with the story 4.only a protagonist with a clear internal goal can make the reader truly engaged in the story 5.To engage with a story, we need ……
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