Visual Culture

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理查德·豪厄尔斯,系英国利兹大学传播学院传播艺术专业教师。

出版者:Polity Press
作者:Richard Howells
出品人:
页数:300
译者:
出版时间:2011-12-13
价格:GBP 17.99
装帧:Paperback
isbn号码:9780745650715
丛书系列:
图书标签:
  • cultue 
  • visual 
  • art 
  • 文化与艺术 
  • 人类学与文化研究 
  • media 
  • ideology 
  • Howells 
  •  
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This is a revised, expanded, and updated edition of the highly successful Visual Culture . Like its predecessor, this new version is about visual literacy, exploring how meaning is both made and transmitted in an increasingly visual world. It is designed to introduce students and other interested readers to the analysis of all kinds of visual text, whether drawings, paintings, photographs, films, advertisements, television or new media forms. The book is illustrated with examples that range from medieval painting to contemporary advertising images, and is written in a lively and engaging style.

The first part of the book takes the reader through differing theoretical approaches to visual analysis, and includes chapters on iconology, form, art history, ideology, semiotics and hermeneutics. The second part shifts from a theoretical to a medium-based approach and comprises chapters on fine art, photography, film, television and new media. These chapters are connected by an underlying theme about the complex relationship between visual culture and reality.

New for the second edition are ten more theoretically advanced Key Debate sections, which conclude each chapter by provoking readers to set off and think for themselves. Prominent among the new provocateurs are Kant, Baudrillard, Althusser, Deleuze, Benjamin, and Foucault. New examples and illustrations have also been added, together with updated suggestions for further reading.

The book draws together seemingly diverse approaches, while ultimately arguing for a polysemic approach to visual analysis. Building on the success of the first edition, this new edition continues to provide an ideal introduction for students taking courses in visual culture and communications in a wide range of disciplines, including media and cultural studies, sociology, art and design.

具体描述

读后感

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说到底还是个教材,对于绘画、摄影、电影的阐释过于描述化,对人的情感和社会的影响等等,都没讲出来。 就是个入门吧。 比如文艺复兴后荷兰人画画为啥写实,中国水墨画为什么写意,后来摄影技术出来了,画画再牛逼也没照片更接近真实,那么,机械复制时代中人的审美心理和趣味...  

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视觉是我们最主要的信息反馈渠道,而我们一般非专业人员,大都只能凭着自己的主观感受和色彩偏好来解决。 常言说的好,“一看就知道”, 其实不然。 《视觉文化》给了我全新的解读各种各种视觉产品(图画/电影/电视/广告等等)的丰富的角度和观点,让我知道,原来还有这么多角...  

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按:这是很多年前在一次研究生的文艺学研讨课上做的翻译。我与几位同学各翻译一章,然后进行汇报讨论。《视觉文化》我觉得在这一研究领域算不上一本上乘的书,只能作为作为入门书来读。大家的翻译是认真的,错误肯定不少,当时并不是为出版而翻译的,而只是练习。这是初稿,因...  

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1.很多重要观点是引用,作者也说明了观点本身的问题……如果当作一本著名学术观点导读是很好的,比如符号学、图像学等等。2.但是书籍为了达到所谓的客观而过于的繁琐、啰嗦、呆板,以至于观点被大量无关信息淹没,而缺少重点。3.前面理论部分的102页比较不错,很多干货。4.后面...  

评分

视觉是我们最主要的信息反馈渠道,而我们一般非专业人员,大都只能凭着自己的主观感受和色彩偏好来解决。 常言说的好,“一看就知道”, 其实不然。 《视觉文化》给了我全新的解读各种各种视觉产品(图画/电影/电视/广告等等)的丰富的角度和观点,让我知道,原来还有这么多角...  

用户评价

评分

篇目分类详实,和同类入门工具书相较,专业面、可读性和启发性都有了,当然深度有其局限,且在一些案例的选取和反向阐述上仍待提升。被各色冗杂视觉符号淹没多年,这才算开始系统性了解如何”观看”#纪念和Prof.Howells愉快共处的三个月

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#A souvenir of my academic year.

评分

篇目分类详实,和同类入门工具书相较,专业面、可读性和启发性都有了,当然深度有其局限,且在一些案例的选取和反向阐述上仍待提升。被各色冗杂视觉符号淹没多年,这才算开始系统性了解如何”观看”#纪念和Prof.Howells愉快共处的三个月

评分

篇目分类详实,和同类入门工具书相较,专业面、可读性和启发性都有了,当然深度有其局限,且在一些案例的选取和反向阐述上仍待提升。被各色冗杂视觉符号淹没多年,这才算开始系统性了解如何”观看”#纪念和Prof.Howells愉快共处的三个月

评分

#A souvenir of my academic year.

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