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Yugen Wang 作者

Harvard University Press

译者

2011-9-12 出版日期

300 页数

USD 39.95 价格

Hardcover

Harvard-Yenching Institute Monograph Series 丛书系列

9780674062559 图书编码

Ten Thousand Scrolls 在线电子书图书标签: 海外汉学黃庭堅中国古典文学文学史黄庭坚研究新著诗歌文學史宋史

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发表于2024-11-05

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Ten Thousand Scrolls 在线电子书 epub 下载 mobi 下载 pdf 下载 txt 下载 2024

Ten Thousand Scrolls 在线电子书 pdf 下载 txt下载 epub 下载 mobi 下载 2024

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或许真的后悔姗姗来迟的阅读。王宇根老师的英文很流畅，触碰了印刷术转型时代下阅读和作诗对整个时代的回应--无论是黄的诗法，还是山谷对熟读之期许，都有其深广的历史背景。

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Solid yet imaginative research presented through close-reading. Exemplar amalgamation of the Chinese and the North American training styles. Elegant but not purple academic prose.

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solid research, inspiring thoughts presented in a coherent and lucid style worthy of its subject matter.

评分☆☆☆☆☆

solid research, inspiring thoughts presented in a coherent and lucid style worthy of its subject matter.

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Ten Thousand Scrolls 在线电子书著者简介

Yugen Wang is Assistant Professor of Chinese Literature at the University of Oregon

Ten Thousand Scrolls 在线电子书图书目录

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Ten Thousand Scrolls 在线电子书图书描述

The Northern Song (960–1126) was one of the most transformative periods in Chinese literary history, characterized by the emergence of printing and an ensuing proliferation of books. The poet Huang Tingjian (1045–1105), writing at the height of this period, both defined and was defined by these changes. The first focused study on the cultural consequences of printing in Northern Song China, this book examines how the nascent print culture shaped the poetic theory and practice of Huang Tingjian and the Jiangxi School of Poetry he founded.

Author Yugen Wang argues that at the core of Huang and the Jiangxi School’s search for poetic methods was their desire to find a new way of reading and writing that could effectively address the changed literary landscape of the eleventh century. Wang chronicles the historical and cultural negotiation Huang and his colleagues were conducting as they responded to the new book culture, and opens new ground for investigating the literary interpretive and hermeneutical effects of printing. This book should be of interest not only to scholars and readers of classical Chinese poetry but to anyone concerned with how the material interacts with the intellectual and how technology has influenced our conception and practice of reading and writing throughout history.

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