Miss Julie

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出版者:Methuen Drama
作者:August Strindberg
出品人:
页数:96
译者:Helen Cooper
出版时间:1992-8-10
价格:GBP 9.99
装帧:Paperback
isbn号码:9780413666109
丛书系列:
图书标签:
  • 戏剧
  • Strindberg
  • 瑞典
  • drama
  • 北欧
  • 劇本
  • tribe
  • plays
  • 戏剧
  • 经典
  • 瑞典
  • 女性
  • 权力
  • 情感
  • 悲剧
  • 爱情
  • 社会
  • 冲突
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具体描述

Miss Julie is Strindberg's masterpiece, written at the height of his powers as a dramatist. It treats sexuality and human struggle with a frank realism previously unknown in the theatre. This volume also includes Strindberg's Preface to the play. Helen Cooper's taut, contemporary stage version, which premiered in London in 1990 at the Greenwich Theatre, 'is fiercely faithful to the play's transfixing contradictions' (Independent) and 'marvellously brisk and demotic' (Time Out).

作者简介

目录信息

读后感

评分

Authors often put true circumstances in their play to reflex themselves. August Strindberg mirrors his life in the play Miss Julie. Many people believe Strindberg is a “woman hater”, but he more likely is a “man hater”, due to his unsolved childhoo...

评分

Authors often put true circumstances in their play to reflex themselves. August Strindberg mirrors his life in the play Miss Julie. Many people believe Strindberg is a “woman hater”, but he more likely is a “man hater”, due to his unsolved childhoo...

评分

Authors often put true circumstances in their play to reflex themselves. August Strindberg mirrors his life in the play Miss Julie. Many people believe Strindberg is a “woman hater”, but he more likely is a “man hater”, due to his unsolved childhoo...

评分

Authors often put true circumstances in their play to reflex themselves. August Strindberg mirrors his life in the play Miss Julie. Many people believe Strindberg is a “woman hater”, but he more likely is a “man hater”, due to his unsolved childhoo...

评分

Authors often put true circumstances in their play to reflex themselves. August Strindberg mirrors his life in the play Miss Julie. Many people believe Strindberg is a “woman hater”, but he more likely is a “man hater”, due to his unsolved childhoo...

用户评价

评分

跨时代的序言,受益匪浅

评分

序比正文重要。看门人的狗和女主人的狗,对应女主与男仆的阶级关系;权势暂时颠倒,最终回归原有秩序;封闭空间内的角力,不那么自然主义(广义上仍是自然主义的,譬如强调遗传的因素),反而预告了像McDonagh一类的剧作风格。谈到私奔的时候,一些「现代性」的苗头若隐若现,如火车旅行、Julie暗示要做酒店的橱窗女郎、欧陆地理名称的罗列等等。

评分

斯特林堡很清楚自己要做的是什么,自序写得非常好。但剧本不知为何感觉进不去,可能是他太沉迷于人物的设定了,台词不够自然;也可能是独幕剧太紧凑,情节起伏太快。也许头脑“清醒”的人会过度关注自己看见的问题,反而是“迷迷糊糊”、“神叨叨”的写作显得更加生动

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a master-slave dialectic, sort of, only for 'educated people' the author thought of

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读2019

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