Carlo Ginzburg's brilliant and timely new essay collection takes a bold stand against naive positivism and allegedly sophisticated neo-skepticism. It looks deeply into questions raised by decades of post-structuralism: What constitutes historical truth? How do we draw a boundary between truth and fiction? What is the relationship between history and memory? And how do we grapple with the historical conventions that inform, in different ways, all written documents? In his answers, Ginzburg peels away layers of subsequent readings and interpretations that envelop every text to make a larger argument about history and fiction. Interwoven with compelling autobiographical references, "Threads and Traces" bears moving witness to Ginzburg's life as a European Jew, the abiding strength of his scholarship, and his deep engagement with the historian's craft.
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Reflecting on the question of truth in (micro) historical writing; each essay is like a solid olive, not readily accessible from the outside but may lead to unexpected adventures of the palate.
评分Reflecting on the question of truth in (micro) historical writing; each essay is like a solid olive, not readily accessible from the outside but may lead to unexpected adventures of the palate.
评分尽管能看懂的程度也就一半的样子但每看一篇神文都觉得热血沸腾。Ginzburg的书凡是Introduction基本都可以当圣经来读；第一篇从"enargeia"讲到"citation"就直接把我震惊了；Montaigne那篇也很喜欢，"distance"的想法实在太妙；然后，给Davis的Martin Guerre写的后记直接有把原著比下去的架势；然后然后，那篇Just One Witness, 真是神揭示啊><
评分尽管能看懂的程度也就一半的样子但每看一篇神文都觉得热血沸腾。Ginzburg的书凡是Introduction基本都可以当圣经来读；第一篇从"enargeia"讲到"citation"就直接把我震惊了；Montaigne那篇也很喜欢，"distance"的想法实在太妙；然后，给Davis的Martin Guerre写的后记直接有把原著比下去的架势；然后然后，那篇Just One Witness, 真是神揭示啊><
评分尽管能看懂的程度也就一半的样子但每看一篇神文都觉得热血沸腾。Ginzburg的书凡是Introduction基本都可以当圣经来读；第一篇从"enargeia"讲到"citation"就直接把我震惊了；Montaigne那篇也很喜欢，"distance"的想法实在太妙；然后，给Davis的Martin Guerre写的后记直接有把原著比下去的架势；然后然后，那篇Just One Witness, 真是神揭示啊><
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