Tarkovsky 在线电子书 pdf 下载 txt下载 epub 下载 mobi 下载 2024


Tarkovsky

简体网页||繁体网页
Andrei Tarkovsky 作者
Thames and Hudson Ltd
译者
2012-11-19 出版日期
320 页数
£59.95 价格
丛书系列
9780500516645 图书编码

Tarkovsky 在线电子书 图书标签: 摄影  塔可夫斯基  电影  Tarkovsky  宝丽来  苏联  艺术  画册   


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发表于2024-11-27


Tarkovsky 在线电子书 epub 下载 mobi 下载 pdf 下载 txt 下载 2024

Tarkovsky 在线电子书 epub 下载 mobi 下载 pdf 下载 txt 下载 2024

Tarkovsky 在线电子书 pdf 下载 txt下载 epub 下载 mobi 下载 2024



Tarkovsky 在线电子书 用户评价

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Library.

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不过大半本的盗版碟像素截图真是不够诚意

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有情绪在吧

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本书有一半电影渣画质截图,前面的书信文章还勉强看,惊喜在后面的家庭相簿和宝丽来以及尾声的照片。

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没想到是下午翻阅过的最喜欢的一本“摄影集”

Tarkovsky 在线电子书 著者简介

Andrey A. Tarkovsky is the director’s son.

Hans-Joachim Schlegel is a film historian and editor and translator of the writings of Sergei Eisenstein and Andrey Tarkovsky.

Lothar Schirmer is a renowned publisher based in Munic


Tarkovsky 在线电子书 图书目录


Tarkovsky 在线电子书 pdf 下载 txt下载 epub 下载 mobi 在线电子书下载

Tarkovsky 在线电子书 图书描述

Andrey Tarkovsky was the most important Russian filmmaker of the post-war era, and one of the world’s most renowned cinematic geniuses.

Tarkovsky’s films are characterized by metaphysical themes, extended takes, an absence of conventional dramatic structure and plot, and a dream-like, visionary style of cinematography. They achieve a spiritual intensity and transcendent beauty that many consider to be without parallel.

He directed the first five of his seven films – Ivan’s Childhood, Andrei Rublev, Solaris, Mirror and Stalker – in the Soviet Union, but in 1982 defected to Italy, where he made Nostalgia. His final film, The Sacrifice, was produced in Sweden in 1985.

This book presents extended sequences of stills from each of the films alongside synopses and cast and crew listings. It includes reflections on Tarkovsky’s work from fellow artists and writers including Jean-Paul Sartre and Ingmar Bergman, for whom Tarkovsky was ‘the greatest, the one who invented a new language.’

Extracts from Tarkovsky’s own writings and diaries offer a wealth of insights into his poetic and philosophical views on cinematography, which he described as ‘sculpting in time’. The book also reproduces many personal Polaroid photographs that confirm the extraordinary poetic vision of a great artist who died aged only 54, but who remains a potent influence on artists and filmmakers today.

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