Tarkovsky 在線電子書 pdf 下載 txt下載 epub 下載 mobi 下載 2024


Tarkovsky

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Andrei Tarkovsky 作者
Thames and Hudson Ltd
譯者
2012-11-19 出版日期
320 頁數
£59.95 價格
叢書系列
9780500516645 圖書編碼

Tarkovsky 在線電子書 圖書標籤: 攝影  塔可夫斯基  電影  Tarkovsky  寶麗來  蘇聯  藝術  畫冊   


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Tarkovsky 在線電子書 epub 下載 mobi 下載 pdf 下載 txt 下載 2024

Tarkovsky 在線電子書 epub 下載 pdf 下載 mobi 下載 txt 下載 2024

Tarkovsky 在線電子書 pdf 下載 txt下載 epub 下載 mobi 下載 2024



Tarkovsky 在線電子書 用戶評價

評分

The main thing is that I have ceased to interest myself.Perhaps this is where my love for myself starts. So do I.

評分

沒想到是下午翻閱過的最喜歡的一本“攝影集”

評分

本書有一半電影渣畫質截圖,前麵的書信文章還勉強看,驚喜在後麵的傢庭相簿和寶麗來以及尾聲的照片。

評分

The main thing is that I have ceased to interest myself.Perhaps this is where my love for myself starts. So do I.

評分

好沉 能藉齣來真好。

Tarkovsky 在線電子書 著者簡介

Andrey A. Tarkovsky is the director’s son.

Hans-Joachim Schlegel is a film historian and editor and translator of the writings of Sergei Eisenstein and Andrey Tarkovsky.

Lothar Schirmer is a renowned publisher based in Munic


Tarkovsky 在線電子書 著者簡介


Tarkovsky 在線電子書 pdf 下載 txt下載 epub 下載 mobi 在線電子書下載

Tarkovsky 在線電子書 圖書描述

Andrey Tarkovsky was the most important Russian filmmaker of the post-war era, and one of the world’s most renowned cinematic geniuses.

Tarkovsky’s films are characterized by metaphysical themes, extended takes, an absence of conventional dramatic structure and plot, and a dream-like, visionary style of cinematography. They achieve a spiritual intensity and transcendent beauty that many consider to be without parallel.

He directed the first five of his seven films – Ivan’s Childhood, Andrei Rublev, Solaris, Mirror and Stalker – in the Soviet Union, but in 1982 defected to Italy, where he made Nostalgia. His final film, The Sacrifice, was produced in Sweden in 1985.

This book presents extended sequences of stills from each of the films alongside synopses and cast and crew listings. It includes reflections on Tarkovsky’s work from fellow artists and writers including Jean-Paul Sartre and Ingmar Bergman, for whom Tarkovsky was ‘the greatest, the one who invented a new language.’

Extracts from Tarkovsky’s own writings and diaries offer a wealth of insights into his poetic and philosophical views on cinematography, which he described as ‘sculpting in time’. The book also reproduces many personal Polaroid photographs that confirm the extraordinary poetic vision of a great artist who died aged only 54, but who remains a potent influence on artists and filmmakers today.

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