Late Godard and the Possibilities of Cinema 在线电子书 pdf 下载 txt下载 epub 下载 mobi 下载 2024


Late Godard and the Possibilities of Cinema

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Morgan, Daniel 作者
译者
2012-11 出版日期
326 页数
$ 79.10 价格
丛书系列
9780520273313 图书编码

Late Godard and the Possibilities of Cinema 在线电子书 图书标签: Cinema  theory  français  film  Uchicago  Jean-Luc_Godard  Godard  000   


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发表于2024-12-26


Late Godard and the Possibilities of Cinema 在线电子书 epub 下载 mobi 下载 pdf 下载 txt 下载 2024

Late Godard and the Possibilities of Cinema 在线电子书 epub 下载 mobi 下载 pdf 下载 txt 下载 2024

Late Godard and the Possibilities of Cinema 在线电子书 pdf 下载 txt下载 epub 下载 mobi 下载 2024



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理论修养不行,经不起推敲的地方太多。抓不住作品整体,单独挑些点(且不论是否真的构成问题)出来说,不具说服力。

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理论修养不行,经不起推敲的地方太多。抓不住作品整体,单独挑些点(且不论是否真的构成问题)出来说,不具说服力。

评分

理论修养不行,经不起推敲的地方太多。抓不住作品整体,单独挑些点(且不论是否真的构成问题)出来说,不具说服力。

评分

理论修养不行,经不起推敲的地方太多。抓不住作品整体,单独挑些点(且不论是否真的构成问题)出来说,不具说服力。

评分

理论修养不行,经不起推敲的地方太多。抓不住作品整体,单独挑些点(且不论是否真的构成问题)出来说,不具说服力。

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Late Godard and the Possibilities of Cinema 在线电子书 pdf 下载 txt下载 epub 下载 mobi 在线电子书下载

Late Godard and the Possibilities of Cinema 在线电子书 图书描述

With Late Godard and the Possibilities of Cinema, Daniel Morgan makes a significant contribution to scholarship on Jean-Luc Godard, especially his films and videos since the late 1980s, some of the most notoriously difficult works in contemporary cinema. Through detailed analyses of extended sequences, technical innovations, and formal experiments, Morgan provides an original interpretation of a series of several internally related films—Soigne ta droite (Keep Your Right Up, 1987), Nouvelle vague (New Wave, 1990), and Allemagne 90 neuf zéro (Germany 90 Nine Zero, 1991)—and the monumental late video work, Histoire(s) du cinéma (1988-1998). Taking up a range of topics, including the role of nature and natural beauty, the relation between history and cinema, and the interactions between film and video, the book provides a distinctive account of the cinematic and intellectual ambitions of Godard’s late work. At the same time, Late Godard and the Possibilities of Cinema provides a new direction for the fields of film and philosophy by drawing on the idealist and romantic tradition of philosophical aesthetics, which rarely finds an articulation within film studies. In using the tradition of aesthetics to illuminate Godard’s late films and videos, Morgan shows that these works transform the basic terms and categories of aesthetics in and for the cinema.

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