Picasso's Les Demoiselles d'Avignon has long been recognized as one of the most significant paintings of the twentieth century. This volume brings together essays from a variety of methodological and topical perspectives. Yves-Alain Bois finds in the painting the presence of trauma and opens the way to a psychoanalytical exploration. Tamar Garb asks what it could mean to women, focusing on Gertrude Stein as one of the painting's first spectators, while Patricia Leighten uses post-colonial theory to explore its conjunction of prostitution and African themes. Christopher Green asks what the confrontation of the European and the non-European could signify and whether this Picasso work can still be meaningfully linked to the grand narrative of modernist history. Through these various analyses, the contributors explore the power and significance of Les Demoiselles d'Avignon, situating the work within twentieth-century art history as a whole and debates over Primitivism, sexuality, and stylistic change.
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yve alain bois那篇的价值相对高，其他的文章仅是informative或者一些一般的新角度，不过重新看现代主义批评对这幅画的诸多阐释仍然是有意义的。
评分下次去MoMa希望能看到这幅有意思的画。
评分下次去MoMa希望能看到这幅有意思的画。
评分下次去MoMa希望能看到这幅有意思的画。
评分下次去MoMa希望能看到这幅有意思的画。
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