More than forty years ago a women's liberation movement called "ūman ribu" was born in Japan amid conditions of radicalism, violence, and imperialist aggression. Setsu Shigematsu's book is the first to present a sustained history of "ūman ribu"'s formation, its political philosophy, and its contributions to feminist politics across and beyond Japan. Through an in-depth analysis of "ūman ribu," Shigematsu furthers our understanding of Japan's gender-based modernity and imperialism and expands our perspective on transnational liberation and feminist movements worldwide. In "Scream from the Shadows," Shigematsu engages with political philosophy while also contextualizing the movement in relation to the Japanese left and New Left as well as the anti-Vietnam War and radical student movements. She examines the controversial figure Tanaka Mitsu, "ūman ribu"'s most influential activist, and the movement's internal dynamics. Shigematsu highlights "ūman ribu"'s distinctive approach to the relationship of women--and women's liberation--to violence: specifically, the movement's embrace of violent women who were often at the margins of society and its recognition of women's complicity in violence against other women. "Scream from the Shadows" provides a powerful case study of a complex and contradictory movement with a radical vision of women's liberation. It offers a unique opportunity to reflect on the blind spots within our contemporary and dominant views of feminism across their liberal, marxist, radical, Euro-American, postcolonial, and racial boundaries.
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惊叹于日本女权运动的努力和legacy：学生运动时暴露出的male dominant structure让很多student activist开始反对现有的权力结构，拒绝婚姻，游行，拥抱“污名”，甚至杀掉自己的孩子，每一步都走的扎扎实实，却步步惊心。看到杀掉小孩的那一章节，我只觉得悲伤。不禁让我想到的是how we get there, 还有suffragette movement里的那句“We have no choice but be violent.” 那样的无奈和恨，就像《宠儿》里Sethe不愿意女儿再当奴隶而选择杀掉她一样沉重。
评分惊叹于日本女权运动的努力和legacy：学生运动时暴露出的male dominant structure让很多student activist开始反对现有的权力结构，拒绝婚姻，游行，拥抱“污名”，甚至杀掉自己的孩子，每一步都走的扎扎实实，却步步惊心。看到杀掉小孩的那一章节，我只觉得悲伤。不禁让我想到的是how we get there, 还有suffragette movement里的那句“We have no choice but be violent.” 那样的无奈和恨，就像《宠儿》里Sethe不愿意女儿再当奴隶而选择杀掉她一样沉重。
评分惊叹于日本女权运动的努力和legacy：学生运动时暴露出的male dominant structure让很多student activist开始反对现有的权力结构，拒绝婚姻，游行，拥抱“污名”，甚至杀掉自己的孩子，每一步都走的扎扎实实，却步步惊心。看到杀掉小孩的那一章节，我只觉得悲伤。不禁让我想到的是how we get there, 还有suffragette movement里的那句“We have no choice but be violent.” 那样的无奈和恨，就像《宠儿》里Sethe不愿意女儿再当奴隶而选择杀掉她一样沉重。
评分惊叹于日本女权运动的努力和legacy：学生运动时暴露出的male dominant structure让很多student activist开始反对现有的权力结构，拒绝婚姻，游行，拥抱“污名”，甚至杀掉自己的孩子，每一步都走的扎扎实实，却步步惊心。看到杀掉小孩的那一章节，我只觉得悲伤。不禁让我想到的是how we get there, 还有suffragette movement里的那句“We have no choice but be violent.” 那样的无奈和恨，就像《宠儿》里Sethe不愿意女儿再当奴隶而选择杀掉她一样沉重。
评分惊叹于日本女权运动的努力和legacy：学生运动时暴露出的male dominant structure让很多student activist开始反对现有的权力结构，拒绝婚姻，游行，拥抱“污名”，甚至杀掉自己的孩子，每一步都走的扎扎实实，却步步惊心。看到杀掉小孩的那一章节，我只觉得悲伤。不禁让我想到的是how we get there, 还有suffragette movement里的那句“We have no choice but be violent.” 那样的无奈和恨，就像《宠儿》里Sethe不愿意女儿再当奴隶而选择杀掉她一样沉重。
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