The setting is an idyllic Alpine village where a woman's underwear factory nestles in the woods. Two factory workers, Brigitte and Paula, dream and talk about finding happiness, a comfortable home and a good man. They realize that their quest will be as hard as work at the factory. Brigitte subordinates her feelings and goes for Heinz, a young, plump, up-and-coming businessman. With Paula, feelings and dreams become confused. She gets pregnant by Erich, the forestry worker. He's handsome, so they marry. Brigitte gets it right. Paula gets it wrong. Using the conventions and language of romantic fiction, Elfriede Jelinek has written a moving tragedy whose power lies in its refusal to take at face value its characters' dreams and aspirations.
E.M.福斯特在《小说面面观》认为中,'国王死了,不久王后也死去了'是故事,而'国王死了,不久王后因伤心而死'则是情节。在他看来,故事强调时间,而情节强调因果。但在耶利内克这里,以上说法都破碎了,她发展出的说法是:‘国王死了。王后死了。’故事的构架还在,但时间关系...
評分我心中的女人是保持着自己优雅的,优美的,拥有的生活应该如王家卫眼中的镜头感是一样的,就是如水一样的生活。当我看完耶利内克的书之后我才会懂的这个世界上还有很多人甚至是大部分女人不是这样的,她们生活在一些角落里,肮脏,狡诈,为了自己的生活不息牺牲自己那所谓的爱...
評分以前列过一个诺奖作品的书单,在网上找了部分电子书存到kindle,方便上下班地铁时看电子书。因为书名就打开这本书来看的,所有的女性都希望在这个世界上追逐到爱,无一例外。 两位女主角,两条主线,两个不同却又相似的人生。越看这本书越觉得这是个绝望的世界,没有爱的世界...
評分 評分《逐爱的女人》应该是由三个人合伙写的:一个是小魔女,她负责提供欣欣然、跃跃然、清新娇憨、简单直白的成分;第二个是老巫婆,她负责提供武断的、粗鲁的、恶毒的、居心叵测的成分;第三个是耶利内克,她负责将以上二位提供的东西混合在一起,并让这样的混合物不停繁衍下去。 ...
Women's lives. Have they changed? Maybe now we've just been subjugated in different ways--to believe that we are free.
评分Women's lives. Have they changed? Maybe now we've just been subjugated in different ways--to believe that we are free.
评分Women's lives. Have they changed? Maybe now we've just been subjugated in different ways--to believe that we are free.
评分Women's lives. Have they changed? Maybe now we've just been subjugated in different ways--to believe that we are free.
评分Women's lives. Have they changed? Maybe now we've just been subjugated in different ways--to believe that we are free.
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