具体描述
It used to be pretty easy to distinguish between the bourgeois world of capitalism and the bohemian counterculture. The bourgeois worked for corporations, wore grey, and went to church. The bohemians were the artists and intellectuals. Bohemians championed the values of the radical 1960's; bourgeois were the enterprising yuppies of the 1980's. Now the 'bo's' are all mixed up and it is impossible to tell an expresso sipping artist from a cappuccino-gulping banker. In attitudes toward sex, morality, leisure time and work, it is hard to separate the renegade from the company man. The new establishment has combined the countercultural sixties and the achieving eighties into one social ethos. These Bobos define our age. Their hybrid culture is the atmosphere we breathe, their status codes govern social life and their moral codes govern ethics and influence our politics. Our hybrid Bobo culture is going to be dominating society for a long time to come. Read all about it in this serious and witty essay on how we live now.
作者简介
目录信息
读后感
还是从Jennifer Schecter说起。那部虽然情节支离破碎，愈演愈黄愈暴力，唯有一点是深得我心：它对主流价值的态度，至少不卑不亢。而Jenny以IC为原型，该当是全片的灵魂人物——尽管她的人格跟情节一样支离破碎，在第四季里更演化成the devil wears prada。但当人物有光芒可耀亮...
评分还是从Jennifer Schecter说起。那部虽然情节支离破碎，愈演愈黄愈暴力，唯有一点是深得我心：它对主流价值的态度，至少不卑不亢。而Jenny以IC为原型，该当是全片的灵魂人物——尽管她的人格跟情节一样支离破碎，在第四季里更演化成the devil wears prada。但当人物有光芒可耀亮...
评分还是从Jennifer Schecter说起。那部虽然情节支离破碎，愈演愈黄愈暴力，唯有一点是深得我心：它对主流价值的态度，至少不卑不亢。而Jenny以IC为原型，该当是全片的灵魂人物——尽管她的人格跟情节一样支离破碎，在第四季里更演化成the devil wears prada。但当人物有光芒可耀亮...
评分还是从Jennifer Schecter说起。那部虽然情节支离破碎，愈演愈黄愈暴力，唯有一点是深得我心：它对主流价值的态度，至少不卑不亢。而Jenny以IC为原型，该当是全片的灵魂人物——尽管她的人格跟情节一样支离破碎，在第四季里更演化成the devil wears prada。但当人物有光芒可耀亮...
评分还是从Jennifer Schecter说起。那部虽然情节支离破碎，愈演愈黄愈暴力，唯有一点是深得我心：它对主流价值的态度，至少不卑不亢。而Jenny以IC为原型，该当是全片的灵魂人物——尽管她的人格跟情节一样支离破碎，在第四季里更演化成the devil wears prada。但当人物有光芒可耀亮...
用户评价
写得太好，一针见血，非常油墨。观察深刻入微。可惜看得断断续续，否则收获能更大。事情要做完整！
评分Disappointed,still prefer his bing columnist on NYT.
评分“Intellectuals come to see their careers in capitalist terms. They compete for attention. They used to regard ideas as weapons but are now more as property.They have to make their way in the job market w/ no official training on how to amass grants, how to determine when a certain subject niche will become hot & how long its vogue will last.”
评分原子人曾以为世界是他们的。
评分社会学注目于将现象升华为理论，文化研究则关心感受如何发展为洞见。千禧一代bobos没有想到的是，年轻人已经不会骄傲地把奋斗和精神追求挂在嘴上了，苍天饶过谁。零食、网络和沙发，佛系、丧燃和冷漠才是他们的paradise。作者仿佛在自黑时顺便薅了一把make America great again的头皮，intellectual一章看得人牙根痒。满眼的label，也算能当做当代美国文化研究导读吧
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