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To gain a deeper understanding of the literary movement that has dominated recent Anglo-American literary criticism, The Pursuit of Signs is a must. In a world increasingly mediated, it offers insights into our ways of consuming texts that are both brilliant and bold. Dancing through semiotics, reader-response criticism, the value of the apostrophe and much more, Jonathan Culler opens up for every reader the closed world of literary criticism. Its impact on first publication, in 1981, was immense; now, as Mieke Bal notes, 'the book has the same urgency and acuity that it had then', though today it has even wider implications: 'with the interdisciplinary turn taking hold, literary theory itself, through this book, becomes a much more widespread tool for cultural analysis'.
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结合Culler的On Deconstruction一起看好像更明白一些。
评分前面几篇都是中规中矩的对结构主义和后结构主义的阐释，还包括了Fish的理论。只有apostrophe、关于镜与灯的几篇提出了非常有意思有亮点的问题，然而解释的却不太令人满意。总感觉少了点厚度，是个中规中矩的文学理论家。
评分前面几篇都是中规中矩的对结构主义和后结构主义的阐释，还包括了Fish的理论。只有apostrophe、关于镜与灯的几篇提出了非常有意思有亮点的问题，然而解释的却不太令人满意。总感觉少了点厚度，是个中规中矩的文学理论家。
评分结合Culler的On Deconstruction一起看好像更明白一些。
评分前面几篇都是中规中矩的对结构主义和后结构主义的阐释，还包括了Fish的理论。只有apostrophe、关于镜与灯的几篇提出了非常有意思有亮点的问题，然而解释的却不太令人满意。总感觉少了点厚度，是个中规中矩的文学理论家。
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