Doris May Lessing, CH (née Tayler; 22 October 1919 – 17 November 2013) was a British novelist, poet, playwright, librettist, biographer and short story writer. Her novels include The Grass Is Singing (1950), the sequence of five novels collectively called Children of Violence (1952–69), The Golden Notebook (1962), The Good Terrorist (1985), and five novels collectively known as Canopus in Argos: Archives (1979–1983).

Lessing was awarded the 2007 Nobel Prize in Literature. In awarding the prize, the Swedish Academy described her as "that epicist of the female experience, who with scepticism, fire and visionary power has subjected a divided civilisation to scrutiny".[2] Lessing was the eleventh woman and the oldest person ever to receive the Nobel Prize in Literature.[3][4][5]

In 2001, Lessing was awarded the David Cohen Prize for a lifetime's achievement in British literature. In 2008, The Times ranked her fifth on a list of "The 50 greatest British writers since 1945".[6]

Much to its author's chagrin, The Golden Notebook instantly became a staple of the feminist movement when it was published in 1962. Doris Lessing's novel deconstructs the life of Anna Wulf, a sometime-Communist and a deeply leftist writer living in postwar London with her small daughter. Anna is battling writer's block, and, it often seems, the damaging chaos of life itself. The elements that made the book remarkable when it first appeared--extremely candid sexual and psychological descriptions of its characters and a fractured, postmodern structure--are no longer shocking. Nevertheless, The Golden Notebook has retained a great deal of power, chiefly due to its often brutal honesty and the sheer variation and sweep of its prose.

This largely autobiographical work comprises Anna's four notebooks: "a black notebook which is to do with Anna Wulf the writer; a red notebook concerned with politics; a yellow notebook, in which I make stories out of my experience; and a blue notebook which tries to be a diary." In a brilliant act of verisimilitude, Lessing alternates between these notebooks instead of presenting each one whole, also weaving in a novel called Free Women, which views Anna's life from the omniscient narrator's point of view. As the novel draws to a close, Anna, in the midst of a breakdown, abandons her dependence on compartmentalization and writes the single golden notebook of the title.