Fiction in the Age of Photography 在线电子书 pdf 下载 txt下载 epub 下载 mobi 下载 2024


Fiction in the Age of Photography

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Nancy Armstrong 作者
Harvard University Press
译者
2002-5-3 出版日期
352 页数
USD 32.50 价格
Paperback
丛书系列
9780674008014 图书编码

Fiction in the Age of Photography 在线电子书 图书标签: 视觉文化  文學/文化批評  英国文学  文学研究  叙事  英文原版  文学  文化研究   


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发表于2024-06-18


Fiction in the Age of Photography 在线电子书 epub 下载 mobi 下载 pdf 下载 txt 下载 2024

Fiction in the Age of Photography 在线电子书 epub 下载 mobi 下载 pdf 下载 txt 下载 2024

Fiction in the Age of Photography 在线电子书 pdf 下载 txt下载 epub 下载 mobi 下载 2024



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阿姆斯特朗的最新作品。偶喜欢看她的东西。有一本她编选的underground stories一直没看。

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critical approach 的最后一个reading,下面就要开始看论文要用的资料了

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阿姆斯特朗的最新作品。偶喜欢看她的东西。有一本她编选的underground stories一直没看。

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阿姆斯特朗的最新作品。偶喜欢看她的东西。有一本她编选的underground stories一直没看。

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虽然很少有的没有被观点说服,但是分析还是挺详细的,就当学习学习论述吧。

Fiction in the Age of Photography 在线电子书 著者简介


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Fiction in the Age of Photography 在线电子书 pdf 下载 txt下载 epub 下载 mobi 在线电子书下载

Fiction in the Age of Photography 在线电子书 图书描述

Victorians were fascinated with how accurately photography could copy people, the places they inhabited, and the objects surrounding them. Much more important, however, is the way in which Victorian people, places, and things came to resemble photographs. In this provocative study of British realism, Nancy Armstrong explains how fiction entered into a relationship with the new popular art of photography that transformed the world into a picture. By the 1860s, to know virtually anyone or anything was to understand how to place him, her, or it in that world on the basis of characteristics that either had been or could be captured in one of several photographic genres. So willing was the readership to think of the real as photographs, that authors from Charles Dickens to the Brontes, Lewis Carroll, H. Rider Haggard, Oscar Wilde, D. H. Lawrence, E. M. Forster, and Virginia Woolf had to use the same visual conventions to represent what was real, especially when they sought to debunk those conventions. The Victorian novel's collaboration with photography was indeed so successful, Armstrong contends, that literary criticism assumes a text is gesturing toward the real whenever it invokes a photograph.

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