Fiction in the Age of Photography 在線電子書 pdf 下載 txt下載 epub 下載 mobi 下載 2024


Fiction in the Age of Photography

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Nancy Armstrong 作者
Harvard University Press
譯者
2002-5-3 出版日期
352 頁數
USD 32.50 價格
Paperback
叢書系列
9780674008014 圖書編碼

Fiction in the Age of Photography 在線電子書 圖書標籤: 視覺文化  文學/文化批評  英國文學  文學研究  敘事  英文原版  文學  文化研究   


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Fiction in the Age of Photography 在線電子書 epub 下載 mobi 下載 pdf 下載 txt 下載 2024

Fiction in the Age of Photography 在線電子書 epub 下載 pdf 下載 mobi 下載 txt 下載 2024

Fiction in the Age of Photography 在線電子書 pdf 下載 txt下載 epub 下載 mobi 下載 2024



Fiction in the Age of Photography 在線電子書 用戶評價

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雖然很少有的沒有被觀點說服,但是分析還是挺詳細的,就當學習學習論述吧。

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雖然很少有的沒有被觀點說服,但是分析還是挺詳細的,就當學習學習論述吧。

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阿姆斯特朗的最新作品。偶喜歡看她的東西。有一本她編選的underground stories一直沒看。

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阿姆斯特朗的最新作品。偶喜歡看她的東西。有一本她編選的underground stories一直沒看。

評分

雖然很少有的沒有被觀點說服,但是分析還是挺詳細的,就當學習學習論述吧。

Fiction in the Age of Photography 在線電子書 著者簡介


Fiction in the Age of Photography 在線電子書 著者簡介


Fiction in the Age of Photography 在線電子書 pdf 下載 txt下載 epub 下載 mobi 在線電子書下載

Fiction in the Age of Photography 在線電子書 圖書描述

Victorians were fascinated with how accurately photography could copy people, the places they inhabited, and the objects surrounding them. Much more important, however, is the way in which Victorian people, places, and things came to resemble photographs. In this provocative study of British realism, Nancy Armstrong explains how fiction entered into a relationship with the new popular art of photography that transformed the world into a picture. By the 1860s, to know virtually anyone or anything was to understand how to place him, her, or it in that world on the basis of characteristics that either had been or could be captured in one of several photographic genres. So willing was the readership to think of the real as photographs, that authors from Charles Dickens to the Brontes, Lewis Carroll, H. Rider Haggard, Oscar Wilde, D. H. Lawrence, E. M. Forster, and Virginia Woolf had to use the same visual conventions to represent what was real, especially when they sought to debunk those conventions. The Victorian novel's collaboration with photography was indeed so successful, Armstrong contends, that literary criticism assumes a text is gesturing toward the real whenever it invokes a photograph.

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