" There is nothing more interesting than women, and nothing more exciting." -Nobuyoshi Araki Araki by Araki is a record of the career of Nobuyoshi Araki, self-styled "photomaniac" and permanent enfant terrible of the Japanese art world. Published to mark the artist's sixty-third birthday on May 25, 2003, this volume features 2002 photographs covering his entire career from 1963 to 2002. Sex-trade voyeur, recorder of Tokyo cityscapes, chronicler of married life, or experimental photo artist - no matter what your image of Araki, this collection will reveal new aspects of his talent, as it traces his unique vision over forty prolific years. All the pictures were selected by Araki himself (who also provides an original commentary), making Araki by Araki not only a comprehensive but highly personal overview of the artist's work to date. High quality color and duotone black and white printing ensure the highest standard of reproduction throughout.
一个赤裸裸的把人类的本性用相机表达出来的人,从而奠定自己一代宗师的地位,「色情」就是他的招牌。这本书收集了荒木经惟从1963-2002年来的各个时期的作品,可以清楚的看到荒木经惟的风格形成过程。
评分纪录片《迷色》里森山大道提到荒木表面上看是个拍摄色情照片的低俗艺人,实际上他了解摄影的本质。读了这本自选集,再配合他那本《写真的话》才会发现他对摄影领悟之深刻。
评分你要说这是情色艺术,噢不,色情艺术,也可以假装欣赏。我小声地说:以性的名义摄影,以摄影的名义作流氓。 也许对社会上不常见的异端只能采取两种态度:吹捧上天或者嗤之以鼻。 真不觉得他伟大,我也没假装装逼,实话实说,不觉得美。 只看到凌乱,刻意,压抑,扭曲之类的异象...
评分纪录片《迷色》里森山大道提到荒木表面上看是个拍摄色情照片的低俗艺人,实际上他了解摄影的本质。读了这本自选集,再配合他那本《写真的话》才会发现他对摄影领悟之深刻。
评分纪录片《迷色》里森山大道提到荒木表面上看是个拍摄色情照片的低俗艺人,实际上他了解摄影的本质。读了这本自选集,再配合他那本《写真的话》才会发现他对摄影领悟之深刻。
get burned. lathy leaves are japanese ladies' eyes, shiny beautiful in the flesh and lust.
评分阳台之于阳子差不多是客厅之于我
评分不可错过荒木的自选集
评分http://book.douban.com/review/4621668/
评分get burned. lathy leaves are japanese ladies' eyes, shiny beautiful in the flesh and lust.
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