The Bookshop

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ENELOPE FITZGERALD wrote many books small in size but enormous in popular and critical acclaim over the past two decades. Over 300,000 copies of her novels are in print, and profiles of her life appeared in both The New Yorker and The New York Times Magazine. In 1979, her novel Offshore won Britain's Booker Prize, and in 1998 she won the National Book Critics Circle Prize for The Blue Flower. Though Fitzgerald embarked on her literary career when she was in her 60's, her career was praised as "the best argument.. for a publishing debut made late in life" (New York Times Book Review). She told the New York Times Magazine, "In all that time, I could have written books and I didn’t. I think you can write at any time of your life." Dinitia Smith, in her New York Times Obituary of May 3, 2000, quoted Penelope Fitzgerald from 1998 as saying, "I have remained true to my deepest convictions, I mean to the courage of those who are born to be defeated, the weaknesses of the strong, and the tragedy of misunderstandings and missed opportunities, which I have done my best to treat as comedy, for otherwise how can we manage to bear it?"

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出版者:Mariner Books
作者:Penelope Fitzgerald
出品人:
页数:128
译者:
出版时间:1997-9-15
价格:USD 12.95
装帧:Paperback
isbn号码:9780395869468
丛书系列:
图书标签:
  • PenelopeFitzgerald 
  • 英文原版 
  • 小说 
  • 外国文学 
  • 英语文学 
  • 英国文学 
  • 英文 
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In 1959 Florence Green, a kindhearted widow with a small inheritance, risks everything to open a bookshop - the only bookshop - in the seaside town of Hardborough. By making a success of a business so impractical, she invites the hostility of the town's less prosperous shopkeepers. By daring to enlarge her neighbors' lives, she crosses Mrs. Gamart, the local arts doyenne. Florence's warehouse leaks, her cellar seeps, and the shop is apparently haunted. Only too late does she begin to suspect the truth: a town that lacks a bookshop isn't always a town that wants one.

具体描述

读后感

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范典/文 英国女作家佩内洛普·菲兹杰拉德的书都很简薄,从《书店》、《早春》、《离岸》到《蓝花》,一本本翻过去,人物清晰,立场明白,然而情节又是随意而微小的,她擅长将人物的情绪掩入故事的叙述当中,她的深刻实非一次可以尽得。 她的写作经历让人叹佩不已,60岁开...  

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“弗萝伦丝被遗弃了 没有书店 没有书 当火车开出车站时 她坐在那里 羞愧地低下头 因为她生活了将近十年之久的小镇并不需要一家书店” 全篇结束 似乎才真正由此进入佩内洛普•菲兹灯拉德笔下的小镇书店,悲凉无奈,透着英国小镇特有的优雅静寂,体会原文的精炼,平在一条...  

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弗洛伦斯并不是一个艺术家,她的心愿很单纯,她只是想在小镇开一家书店,为小镇的人们提供一些好书。“因为一本好书是一位大师精神凝结而成的珍宝,是为了超越生命的生命而永久珍藏。”她认为它是人们的一种必需品。   她以为她有足够的力量开一个书店,任何东西都不能阻止...  

用户评价

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非常老派的narrative以及语言,觉得Kazuo Ishiguro的The Remains of the Day的语言风格居然和这个有点像,隐忍又英式冷幽默又悲伤。另外故事非常丧,文化改变不了社会,有文化的人自私自利,有自己的社会地位,可爱的是对文化没兴趣的底层民众,但文化改变不了他们,Florence最终明白自己居住了10年的小镇根本不需要什么书店!

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面对命运暗流时也许每人会有自己特定阅读的书,而我会选「书店」。二十出头时我是看不懂它的,那时我不知道一个小镇的风物人情,会如此蔓延到生活的枝节丰富故事的密度,在暗中虎视眈眈又高远疏离。在兜转数年后再次重遇,时光叫人改变,偶尔风霜扑面,终于沉稳一点了,与故人再会面,一切似曾相识的景物都不一样了。那家只开了一年的书店在1959到1960那一年间的潮汐明灭,Florence梦里的鹭鸟和鳗鱼,倾颓的悬崖别墅被海水腐蚀,敲门鬼的闹腾成了不能说的秘密,Hardborough上人与人的缘分稀薄,它在编织又不在编织,是年过六十写出来的气质舒朗。有些人总教人对年长充满了期待。

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在靠海的银行旧楼里开一间书店 不想比摆脱夜间的失眠更难 沙墙带出了海水的湿度 楼上鬼怪作乱出了动静 本想将老房建成艺术中心却被抢占先机而借此有了交战理由的富贵女人 流动图书馆的成形 帮手克莉丝汀的离退 全世界都与她为敌 弗洛伦斯·格林的造书梦碎了裂了 她以她的告别成全这座小镇 耳顺之年的处女作 满纸的孤独与隐忍

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To those who were born defeated and profoundly lost. The ending, with such economy and restraint, is the saddest I’ve ever read....

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读的是人人版,结尾居然微虐,所有人突然都背过脸去。与之前读的蓝花,离岸冲淡自然的风格相比,这本要更符合通俗意义上的“精彩”,石头投入水中激起一圈一圈的涟漪,我觉得这本倒更符合布克奖的口味,查了下1978年的获奖作品原来是默多克的大海 ,大海。。。好吧。

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