Updated Edition With a New Preface Lila Abu-Lughod lived with a community of Bedouins in the Western Desert of Egypt for nearly two years, studying gender relations and the oral lyric poetry through which women and young men express personal feelings. The poems are haunting, the evocation of emotional life vivid. But her analysis also reveals how deeply implicated poetry and sentiment are in the play of power and the maintenance of a system of social hierarchy. What begins as a puzzle about a single poetic genre becomes a reflection on the politics of sentiment and the relationship between ideology and human experience.
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The love of youth, fulfilled or unfulfilled, pass. Individual have to face different kinds of crises in love once they have married, settled down, and begun their life. 這可能是三個月來看這本書讀到最喜歡的一句話瞭，其實在哪種文化裏都一樣，summer romance passed eventually.
评分序言有趣……看瞭modesty,gender and sexuality的部分，感覺是有功能傾嚮的解釋方式。正如開頭就提到的通常男性同價值聯係而女性同道德聯係，而女性和價值、道德體係的關聯又從女性的body/nature本身齣發，其中生育被認為是積極的，sexuality和月經被認為是消極的，於是從儀式、宗教、日常生活、言語和神話詩歌象徵等各個層麵形成瞭一套體係並使女性embody、symbolize、represent。對sexuality的否認和衊視也主要和女性相關，意在維係社會秩序、關係和體係。麵紗本身就是個很有趣的栗子。
评分人類學力作。
评分Abu-Lughod的筆法一直很喜歡，關於詩歌的兩種意識形態、話語機製可以拿來當參考
评分猛刷與女性有關的100 most influential ethnography
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