Andrey Tarkovsky, the genius of modern Russian cinema - hailed by Ingmar Bergman as "the most important director of our time" - died an exile in Paris in December 1986. In Sculpting in Time, he has left his artistic testament, a remarkable revelation of both his life and work. Since Ivan's Childhood won the Golden Lion at the Venice Film Festival in 1962, the visionary quality and totally original and haunting imagery of Tarkovsky's films have captivated serious movie audiences all over the world, who see in his work a continuation of the great literary traditions of nineteenth-century Russia. Many critics have tried to interpret his intensely personal vision, but he himself always remained inaccessible. In Sculpting in Time, Tarkovsky sets down his thoughts and his memories, revealing for the first time the original inspirations for his extraordinary films - Ivan's Childhood, Andrey Rublyov, Solaris, The Mirror, Stalker, Nostalgia, and The Sacrifice. He discusses their history and his methods of work, he explores the many problems of visual creativity, and he sets forth the deeply autobiographical content of part of his oeuvre - most fascinatingly in The Mirror and Nostalgia. The closing chapter on The Sacrifice, dictated in the last weeks of Tarkovsky's life, makes the book essential reading for those who already know or who are just discovering his magnificent work.
安德烈·塔可夫斯基:一九三二年生于俄罗斯札弗洛塞镇,是诗人阿尔谢尼伊·塔可夫斯基之子。曾就学于苏联电影学院,一九六一年毕业。他的电影曾经赢得多项国际性大奖;第一部长故事片《伊万的童年》于一九六二年获得威尼斯影展金狮奖。其最后一部作品《牺牲》荣获一九八六年夏纳影展评审团特别奖,同年十二月,塔可夫斯基因肺癌病逝于巴黎,享年五十四岁。
重新抱着珍爱的塔科夫斯基《雕刻时光》去图书馆看书,这种感觉,就象和现代社会绝了缘一样,聆听着宛若来自高古的纯净而古朴的声音,如同轻叩帕特农的神庙,那来自坚实石躯的回声是如此不朽。 在《艺术——理想的思慕》一章,塔氏引用了亚历山大•布洛克的话“诗人自...
评分 评分写这篇文章的时候,终于下了决心读完了《时光中的时光》最后几十页,也就是塔尔科夫斯基(注1)最后三年的日记。一直不愿读完,就像一直留着他最初两部短片《今天不离去》和《杀手》一直不愿去看一样,无论是开始还是结束,都想在触手可及的地方,再留下那么一点可以想念的“未...
评分十多年前,碟市刚刚兴起,文艺青年、骨灰级影迷一路猛追欧洲电影大师,各类电影书也一时纸贵,塔可夫斯基的《雕刻时刻》也曾应时出版,因为封面太丑(谁叫咱是封面控)、排版纸张都不理想,而且是转译,所以没买,只是简单翻了翻。今年的新版在俄文原书直译的基础上,对版式、...
评分雕刻时光原本是一本关于电影理论的书,现在却被小资们拿来标榜,失去了本来意义,我想他们是不知道塔科夫斯基是谁的。塔科夫斯基终其一生只拍了两部短片和七部长片,数量虽然不多,但均是上乘之作。特别是在苏联的背景下,能拍出这样的电影更是难能可贵。我们常说伊朗的阿巴斯...
读的是1986版的
评分他让我明白:我们摄取影像的同时要寻找影像背后的“第二落点”:只有深入于人的精神世界才能完成的哲学思考
评分对读快乐!
评分Not a theorist but precisely such that makes him great. The true artist is a rare being, while great art calls for one's character within.
评分The faith responsibility and meaning from life back to poetry.
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