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Jacques Attali 作者

University Of Minnesota Press

Brian Massumi 译者

1985-6-30 出版日期

196 页数

USD 19.50 价格

Paperback

Theory and History of Literature 丛书系列

9780816612871 图书编码

Noise 在线电子书图书标签: 音乐音乐理论 Jacques_Attali 人类学 noise 社会媒体 Economy

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发表于2025-04-05

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Noise 在线电子书 epub 下载 mobi 下载 pdf 下载 txt 下载 2025

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Noise 在线电子书用户评价

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prophetic. very strong dissertation...but...

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用政治经济学观点审视音乐，讲音乐观念试分成献祭-再现-复制-即兴四部分，非常具有启发性。对fine-art，pop art和free music的分析也鞭辟入里。绝对一本好书。

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i mean the historical distinction of different musical zones is interesting but the arguments are hinged on analogies...

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重读，不是一般的差。

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the foreword is written by Fredric Jameson...

Noise 在线电子书著者简介

雅克·阿达利(Jacques Attali)是当代法国著名学术与政治人物，曾任法国总统密特朗的特别顾问，他的作品涉及面广，并具有历史文化的内涵，深受欧美知识界的重视。他的另一本著作《智慧之路－论迷宫》也已被翻译出版见www.douban.com/subject/1043617/

Noise 在线电子书图书目录

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Noise 在线电子书图书描述

Attali's essential argument in Noise: The Political Economy of Music is that music, as a cultural form, is intimately tied up in the mode of production in any given society. For marxist critics, this idea is nothing new. The novelty of Attali's work is that it reverses the traditional understandings about how revolutions in the mode of production take place:

[Attali] is the first to point out the other possible logical consequence of the “reciprocal interaction” model—namely, the possibility of a superstructure to anticipate historical developments, to foreshadow new social formations in a prophetic and annunciatory way. The argument of Noise is that music, unique among the arts for reasons that are themselves overdetermined, has precisely this annunciatory vocation; that the music of today stands both as a promise of a new, liberating mode of production, and as the menace of a dystopian possibility which is that mode of production’s baleful mirror image.[1]

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