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出版者:University Of Minnesota Press

作者:Jacques Attali

出品人:

页数:196

译者:Brian Massumi

出版时间:1985-6-30

价格:USD 19.50

装帧:Paperback

isbn号码:9780816612871

丛书系列:Theory and History of Literature

图书标签:

音乐
音乐理论
Jacques_Attali
人类学
noise
社会
媒体
Economy
科幻
未来主义
赛博朋克
反乌托邦
人工智能
悬疑
惊悚
心理
科技
噪音

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具体描述

Attali's essential argument in Noise: The Political Economy of Music is that music, as a cultural form, is intimately tied up in the mode of production in any given society. For marxist critics, this idea is nothing new. The novelty of Attali's work is that it reverses the traditional understandings about how revolutions in the mode of production take place:

[Attali] is the first to point out the other possible logical consequence of the “reciprocal interaction” model—namely, the possibility of a superstructure to anticipate historical developments, to foreshadow new social formations in a prophetic and annunciatory way. The argument of Noise is that music, unique among the arts for reasons that are themselves overdetermined, has precisely this annunciatory vocation; that the music of today stands both as a promise of a new, liberating mode of production, and as the menace of a dystopian possibility which is that mode of production’s baleful mirror image.[1]

作者简介

雅克·阿达利(Jacques Attali)是当代法国著名学术与政治人物，曾任法国总统密特朗的特别顾问，他的作品涉及面广，并具有历史文化的内涵，深受欧美知识界的重视。他的另一本著作《智慧之路－论迷宫》也已被翻译出版见www.douban.com/subject/1043617/

目录信息

读后感

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阿达利论述了四个阶段：牺牲、代表、重复、创作。这些已不再赘述。原始祭祀音乐和机械复制时代、景观等理论是老生常谈的理论，不管是听觉还是视觉都是共通的。这里比较感兴趣的还是阿达利对噪音和自由爵士即兴的论述。首先是阿达利在这方面也有太多观点可在《千高原》中寻到...

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the fact that it was published in 1984 doesn't affect its applicability in understanding today's musical world. It's a well written book, not perfect in arguments, but offers very helpful insight talking about music in relation to politics, economics, and s...

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叔本华在《论噪音》一文中这样写到：“有杰出才智的人对任何形式的扰乱深恶痛绝，因为扰乱转移了或分散了他们的思路，尤其是噪音”。我们通常所说的噪音，物理学定义为“发音体不规则的振动产生的声音”，无非就是工地、马路、机场等处那些难以忍受的声音。而在符号学里，噪音...

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用户评价

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"No organized society can exist without structuring differences at its core. No market economy can exist without erasing differences in mass production."

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重读，不是一般的差。

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东方主义

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the foreword is written by Fredric Jameson...

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Jameson已经说了Attali这本书最有意义的部分，是作为上层建筑/非物质性的音乐对于经济基础的生产性预言，对于经典马克思主义的翻转。当然Attali读起来十分舒服，Massumi这本翻译很简洁啊比他自己写的东西清楚多了wwww