肯尼思·弗兰姆普敦,是哥伦比亚大学的维尔讲席教授(WareProfessor),曾有许多建筑理论历史方面的著作问世。原书由格拉汉姆高等艺术研究基金会(Graham Foundatlon for Advanced Studiesinthe Fine Arts)和麻省理工学院出版社联合出版。
Kenneth Frampton's long-awaited follow-up to his classic A Critical History of Modern Architecture is certain to influence any future debate on the evolution of modern architecture.Studies in Tectonic Culture is nothing less than a rethinking of the entire modern architectural tradition. The notion of tectonics as employed by Frampton -- the focus on architecture as a constructional craft -- constitutes a direct challenge to current mainstream thinking on the artistic limits of postmodernism, and suggests a convincing alternative. Indeed, Frampton argues, modern architecture is invariably as much about structure and construction as it is about space and abstract form.Composed of ten essays and an epilogue that trace the history of contemporary form as an evolving poetic of structure and construction, the book's analytical framework rests on Frampton's close readings of key French and German, and English sources from the eighteenth century to the present. He clarifies the various turns that structural engineering and tectonic imagination have taken in the work of such architects as Perret, Wright, Kahn, Scarpa, and Mies, and shows how both constructional form and material character were integral to an evolving architectural expression of their work. Frampton also demonstrates that the way in which these elements are articulated from one work to the next provides a basis upon which to evaluate the works as a whole. This is especially evident in his consideration of the work of Perret, Mies, and Kahn and the continuities in their thought and attitudes that linked them to the past.Frampton considers the conscious cultivation of the tectonic tradition in architecture as an essential element in the future development of architectural form, casting a critical new light on the entire issue of modernity and on the place of much work that has passed as "avant-garde."A copublication of the Graham Foundation for Advanced Studies and The MIT Press.
1.希腊-哥特理想的核心目的是什么(寻找新的建筑语汇or通过结构表达空间和建筑or?) 2.建构能不能被理解是为通过哲学(二分对立、宇空概念etc)来理解受力关系和细部节点?建构的本质是隐喻?construction+construing? 3.词源学上的木构(tectonic)和建构(tectonic)之间的...
评分它是一部建筑学恢弘的巨著。本书以建筑发展中几位大师及其作品为载体,生动的描绘了建筑结构、材料这种构成建筑的本质元素对空间影响,及文化价值。和当今经济经济时代种种浮夸投机的建筑设计形成鲜明的对比。对重拾建构文化及重新认识建筑的价值有积极而又深远的影响!
评分“建筑学”概念的边界模糊,或者说层面和外延太丰富。由于市场、学术、文化、教育等多重语境使得现今建筑的意义常在建筑之外。这个时代商品语言渗透到每个角落,一种语境本身的纯粹性也已经非常值得怀疑。某种意义上,消费社会的符号胜于物体,副本胜于原本,幻想胜于现实。建...
评分建构的逻辑性与建筑表皮化在这里看来是建筑表现的一对矛盾(看来需要阅读关于表皮化的理论学说,可能并非完全不能调和);建筑常常被称为“工程与技术的结合”,精湛的工程本身是否即是一种艺术,或者为了表达出艺术之美,而调动工程技术来实现?个人认为书里倾向于以建筑...
评分很多老师都推荐呢,王老师自己还问问买书的销售情况呢~~呵呵 慢慢读,读不懂是积累不够~~~慢慢积累~~ 希望那一天自己会彻悟 呵呵
重读Carlo Scarpa这一部分,果然亲历之后再读文字才有所领会啊。
评分寫得真繞 直着說話不好嗎 還是翻譯的問題?
评分翻译得不好。造了一些东西回来看,发现是建筑师小情趣杂文
评分becoming a classic, if anyone refers to the subject of how culture embodies in architectural design
评分翻译得不好。造了一些东西回来看,发现是建筑师小情趣杂文
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