Studies in Tectonic Culture

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肯尼思·弗兰姆普敦,是哥伦比亚大学的维尔讲席教授(WareProfessor),曾有许多建筑理论历史方面的著作问世。原书由格拉汉姆高等艺术研究基金会(Graham Foundatlon for Advanced Studiesinthe Fine Arts)和麻省理工学院出版社联合出版。

出版者:The MIT Press
作者:Kenneth Frampton
出品人:
页数:446
译者:
出版时间:2001-10-01
价格:USD 42.00
装帧:Paperback
isbn号码:9780262561495
丛书系列:
图书标签:
  • 建筑 
  • 建筑理论 
  • Frampton 
  • Architecture 
  • tectonic 
  • KennethFrampton 
  • 建筑技术 
  • 建筑史 
  •  
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Kenneth Frampton's long-awaited follow-up to his classic A Critical History of Modern Architecture is certain to influence any future debate on the evolution of modern architecture.Studies in Tectonic Culture is nothing less than a rethinking of the entire modern architectural tradition. The notion of tectonics as employed by Frampton -- the focus on architecture as a constructional craft -- constitutes a direct challenge to current mainstream thinking on the artistic limits of postmodernism, and suggests a convincing alternative. Indeed, Frampton argues, modern architecture is invariably as much about structure and construction as it is about space and abstract form.Composed of ten essays and an epilogue that trace the history of contemporary form as an evolving poetic of structure and construction, the book's analytical framework rests on Frampton's close readings of key French and German, and English sources from the eighteenth century to the present. He clarifies the various turns that structural engineering and tectonic imagination have taken in the work of such architects as Perret, Wright, Kahn, Scarpa, and Mies, and shows how both constructional form and material character were integral to an evolving architectural expression of their work. Frampton also demonstrates that the way in which these elements are articulated from one work to the next provides a basis upon which to evaluate the works as a whole. This is especially evident in his consideration of the work of Perret, Mies, and Kahn and the continuities in their thought and attitudes that linked them to the past.Frampton considers the conscious cultivation of the tectonic tradition in architecture as an essential element in the future development of architectural form, casting a critical new light on the entire issue of modernity and on the place of much work that has passed as "avant-garde."A copublication of the Graham Foundation for Advanced Studies and The MIT Press.

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读后感

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很多老师都推荐呢,王老师自己还问问买书的销售情况呢~~呵呵 慢慢读,读不懂是积累不够~~~慢慢积累~~ 希望那一天自己会彻悟 呵呵  

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1980年,Modern Architecture: A Critical History 第一版 1985年,Modern Architecture: A Critical History 第二版 1988年,《现代建筑:一部批判的历史》第一版(?)中文版 1992年,Modern Architecture: A Critical History 第三版(除了其他增添修正之外,增加最后一章“...  

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哥大有人推荐我说 这个书翻得很好 看了这次markus peter的skript,深刻质疑这个说法。自然很多地方是原文不懂去看王老师的翻译,比如 stereometrie作砌筑解,但仍感到许多看德语high到不行的地方,看中文全没感觉的情况。 误读不是不好,文字本身只是传递的...  

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1980年,Modern Architecture: A Critical History 第一版 1985年,Modern Architecture: A Critical History 第二版 1988年,《现代建筑:一部批判的历史》第一版(?)中文版 1992年,Modern Architecture: A Critical History 第三版(除了其他增添修正之外,增加最后一章“...  

评分

很多老师都推荐呢,王老师自己还问问买书的销售情况呢~~呵呵 慢慢读,读不懂是积累不够~~~慢慢积累~~ 希望那一天自己会彻悟 呵呵  

用户评价

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建构的传统就是坚持不懈的在创新的同时重新诠释古老的事物

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这本中英文搭着来的~~晦涩。。。。谁能好好给我讲清楚建构到底是什么,糊涂死了。。。

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翻译得不好。造了一些东西回来看,发现是建筑师小情趣杂文

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有种下学期历史课教材的预感。。。啊好期待frampton的lecture!!

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王俊阳老师翻译版很接地气的,弗氏试图用建构的方式来阐明文化,理论,哲学在建筑中的体现和一脉相承的线索,列举了哥特,辛克尔,赖特,佩雷,密斯,康,伍重,斯卡帕的经典作品及分析,从森佩尔理论到当代的现象学探索,理论和实践在建构上达成了一致性。

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