With Kafka on the Shore, Haruki Murakami gives us a novel every bit as ambitious and expansive as The Wind-Up Bird Chronicle, which has been acclaimed both here and around the world for its uncommon ambition and achievement, and whose still-growing popularity suggests that it will be read and admired for decades to come.
This magnificent new novel has a similarly extraordinary scope and the same capacity to amaze, entertain, and bewitch the reader. A tour de force of metaphysical reality, it is powered by two remarkable characters: a teenage boy, Kafka Tamura, who runs away from home either to escape a gruesome oedipal prophecy or to search for his long-missing mother and sister; and an aging simpleton called Nakata, who never recovered from a wartime affliction and now is drawn toward Kafka for reasons that, like the most basic activities of daily life, he cannot fathom. Their odyssey, as mysterious to them as it is to us, is enriched throughout by vivid accomplices and mesmerizing events. Cats and people carry on conversations, a ghostlike pimp employs a Hegel-quoting prostitute, a forest harbors soldiers apparently unaged since World War II, and rainstorms of fish (and worse) fall from the sky. There is a brutal murder, with the identity of both victim and perpetrator a riddle–yet this, along with everything else, is eventually answered, just as the entwined destinies of Kafka and Nakata are gradually revealed, with one escaping his fate entirely and the other given a fresh start on his own.
Extravagant in its accomplishment, Kafka on the Shore displays one of the world’s truly great storytellers at the height of his powers.
村上春树(1949- ),日本小说家。曾在早稻田大学文学部戏剧科就读。1979年,他的第一部小说《听风之歌》问世后,即被搬上了银幕。随后,他的优秀作品《1973年的弹子球》、《寻羊冒险记》、《挪威的森林》等相继发表。他的创作不受传统拘束,构思新奇,行文潇洒自在,而又不流于庸俗浅薄。尤其是在刻画人的孤独无奈方面更有特色,他没有把这种情绪写成负的东西,而是通过内心的心智性操作使之升华为一种优雅的格调,一种乐在其中的境界,以此来为读者,尤其是生活在城市里的人们提供了一种生活模式或生命的体验。
读罢《海边的卡夫卡》,我忽然想,那个写《且听风吟》,写《挪威的森林》村上究竟哪里去了? 我不知道,为什么有人会说《挪威的森林》是村上最差的作品。《挪威的森林》于我而言,就像是一首诗。多年之后,我依然记得主人公坐在波音客机降落在汉堡机场,看着窗外熟悉的风...
评分读这本卡夫卡,最初是随便翻翻,读得好慢,后来竟是越读越快,越读越快。我承认,这里面有着村上给我带来的巨大吸引——流水般幽静深邃的笔触和充满异国情调的美丽背景——然而,读得越来越快的原因,更多的是,想要证明,最终的村上是否会让他所有的逻辑完满严密?也许,对...
评分1.看完了《海边的卡夫卡》,觉得有些作家天赋就是写短篇的。写短篇与写长篇与其说是一种才能,不如说是天生的心性。(这么一说,我喜欢的作家几乎都是写中短篇的。写长篇的一个也没有。)写长篇首先需要的是一种结构力。这可不是普通的结构力,而是一种能够把读者“结构”进来...
评分最近一口气读了三本村上春树:1988年的《舞、舞、舞》,1995年的《奇鸟形状录》和2002年的《海边的卡夫卡》。这三个长篇小说都具有充分的奇幻情节,不论情节安排、语言组织还是立意展现,都一部强于一部,尤其《海边的卡夫卡》,基本可以看作是1985年《世界尽头与冷酷仙境》的...
评分17岁的时候,收到过一封来自林少华先生的信。 昨天在家整理旧信件,简直都是看起来惨不忍睹的小女生花花绿绿强说愁。而这一封从中国海洋大学外国语学院发出,白信封白信纸,我猛然想起也曾有过这一等事发生过。 “xx君: 你好,还记得你五月十九日给我写的信吗?回信这么晚...
读了五遍中文 两遍英文 不出意外的话还会再读 每一次就有不同体验 四年前花了4块钱买来的 连块像样的蛋糕都买不起的价格换这么本书真是要偷笑了
评分最后发现都爱卖关子 暧昧引你走入世界的边缘
评分终于读完啦~感觉跟中文版是另外一个味道,猜想日文原版肯定又是另一个味道吧
评分听朋友说中译本很难懂,但是我读英文译本发现并没有很难,反而很吸引人,大概英文译者真正理解了原著的精华吧
评分比中文版好看
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