Count Lyov (also Lev) Nikolayevich Tolstoy (English: /ˈtoʊlstɔɪ, ˈtɒl-/[2]; Russian: Лёв (also Лев) Никола́евич Толсто́й,[note 1] tr. Lyov (also Lev) Nikoláyevich Tolstóy; IPA: [lʲɵf] (also [lʲef]) [nʲɪkɐˈlaɪvʲɪtɕ tɐlˈstoj] (About this sound listen);[note 2] 9 September [O.S. 28 August] 1828 – 20 November [O.S. 7 November] 1910), usually referred to in English as Leo Tolstoy, was a Russian writer who is regarded as one of the greatest authors of all time.
Born to an aristocratic Russian family in 1828, he is best known for the novels War and Peace (1869) and Anna Karenina (1877), often cited as pinnacles of realist fiction. He first achieved literary acclaim in his twenties with his semi-autobiographical trilogy, Childhood, Boyhood, and Youth (1852–1856), and Sevastopol Sketches (1855), based upon his experiences in the Crimean War. Tolstoy's fiction includes dozens of short stories and several novellas such as The Death of Ivan Ilyich (1886), Family Happiness (1859), and Hadji Murad (1912). He also wrote plays and numerous philosophical essays.
In the 1870s Tolstoy experienced a profound moral crisis, followed by what he regarded as an equally profound spiritual awakening, as outlined in his non-fiction work A Confession (1882). His literal interpretation of the ethical teachings of Jesus, centering on the Sermon on the Mount, caused him to become a fervent Christian anarchist and pacifist. Tolstoy's ideas on nonviolent resistance, expressed in such works as The Kingdom of God Is Within You (1894), were to have a profound impact on such pivotal 20th-century figures as Mohandas Karamchand Gandhi,[3] and Martin Luther King, Jr.[4] Tolstoy also became a dedicated advocate of Georgism, the economic philosophy of Henry George, which he incorporated into his writing, particularly Resurrection (1899).
Translated by Louise & Aylmer Maude
With an Introduction and notes by Henry and Olga Claridge, University of Kent at Canterbury.
War and Peace is a vast epic centred on Napoleon's war with Russia. While it expresses Tolstoy's view that history is an inexorable process which man cannot influence, he peoples his great novel with a cast of over five hundred characters.
Three of these, the artless and delightful Natasha Rostov, the world-weary Prince Andrew Bolkonsky and the idealistic Pierre Bezukhov illustrate Tolstoy's philosophy.
花了整整一个假期的时间,终于读完了这部鸿篇巨作。我感受到的,是这部书所给予我的一种厚重感。 我相信没有人会不喜欢娜塔莎,喜欢她的美,喜欢她那眼波流转间里所流露出的快乐的笑意,喜欢她那一颦一笑间所展现出的快活的神情,她就像是一个闪着光亮的天使,散发着无穷...
評分托尔斯泰的三部长篇中,《复活》是我最隔膜的。读这部小说的时候,我还只有十六七岁,刚刚考上大学不久。作为一个农家子弟,对于聂赫留朵夫这样的“忏悔的贵族”,我实在没有太大的共鸣。加上我们当时学的欧洲文学史教材,对《复活》评价似乎也不高,认为它宣扬改良主义,与阶...
評分花了整整一个假期的时间,终于读完了这部鸿篇巨作。我感受到的,是这部书所给予我的一种厚重感。 我相信没有人会不喜欢娜塔莎,喜欢她的美,喜欢她那眼波流转间里所流露出的快乐的笑意,喜欢她那一颦一笑间所展现出的快活的神情,她就像是一个闪着光亮的天使,散发着无穷...
評分前兩天的某臨晨1點,躺在澡盆里用沾著泡泡的手把這書的最後1頁翻掉了。 —————————極其生硬的話題轉移線————————— 話說這幾天我在讀茨威格的《心靈的焦灼》 不知道什麽時候起,小說對我來說比起聽作者講故事,我更傾向于是作者好像搭積木的孩子一樣,搭建...
評分托尔斯泰的三部长篇中,《复活》是我最隔膜的。读这部小说的时候,我还只有十六七岁,刚刚考上大学不久。作为一个农家子弟,对于聂赫留朵夫这样的“忏悔的贵族”,我实在没有太大的共鸣。加上我们当时学的欧洲文学史教材,对《复活》评价似乎也不高,认为它宣扬改良主义,与阶...
An Epic.
评分故事很好,狗尾續貂瞭個略囉嗦的議論文。故事很好。The end with an essay on the science of history, umm, not the most entertaining part. Still, the story is indeed grand and engaging.
评分居然聽完瞭,雖然除瞭被幾個人名叫醒,其它時間尤其戰爭人性的漫長探討都隻是打遊戲或者睡覺的背景音。。幾乎沒看過名著的人被這種深度的角色內心挖掘震撼到瞭,然而最終覺得他就是講瞭愚蠢的人類和自作聰明的人類,好像也沒啥值得這麼多字大書特書的。。自作聰明的安德烈是唯一比較正經人的角色,他爹因為太自作聰明而很有娛樂性,皮埃爾一直在變化,過程中讓我對他抱有瞭期待培養瞭感情,但到最後還是覺得就是個白癡,女性角色索尼婭很可憐其他人都搓氣尤其娜塔莎,白癡角色裏我唯一不討厭的就是一直保持著白癡狀態的羅斯托夫老爹,大概因為我就是為瞭他纔聽的。。
评分#ayearofwarandpeace 我花瞭一年的時間讀完瞭!!!這故事真的沒什麼頭而且完全沒尾的 最後就這麼結束瞭???? 我喜歡肥皂劇 挺喜歡老托在最後寫的那些essay 但是中間的戰爭部分真的太難熬瞭
评分看瞭不到10天.....到Volume III 後麵就跳著看瞭。最喜歡的一本書之一以後一定找機會認真再讀。
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