The Girl I Left Behind 在线电子书 图书标签:
发表于2024-11-27
The Girl I Left Behind 在线电子书 pdf 下载 txt下载 epub 下载 mobi 下载 2024
"If Mitsu had taught me anything at all, it was that every single person with whom we cross paths during our journey through life leaves an indelible mark on us. So does loneliness stem from such marks?"
评分"If Mitsu had taught me anything at all, it was that every single person with whom we cross paths during our journey through life leaves an indelible mark on us. So does loneliness stem from such marks?"
评分"If Mitsu had taught me anything at all, it was that every single person with whom we cross paths during our journey through life leaves an indelible mark on us. So does loneliness stem from such marks?"
评分"If Mitsu had taught me anything at all, it was that every single person with whom we cross paths during our journey through life leaves an indelible mark on us. So does loneliness stem from such marks?"
评分"If Mitsu had taught me anything at all, it was that every single person with whom we cross paths during our journey through life leaves an indelible mark on us. So does loneliness stem from such marks?"
远藤周作(1923—1996)
日本著名小说家,出生于东京,毕业于庆应义塾大学法文系。幼时因父亲工作调动举家迁往中国大连,回国后受洗,战后前往法国里昂大学进修法国文学。与吉行淳之介、安冈章太郎等同为战后日本文坛的“第三代新人”。
1955年短篇小说《白种人》获芥川奖。1958年《海与毒药》获每日出版文化奖。1966年《沉默》获谷崎润一郎奖。1980年《武士》获野间文艺奖。1994年《深河》获每日艺术奖。1995年远藤周作被授予日本文化勋章。
远藤周作被称为日本信仰文学的先驱,他致力于探讨日本的精神风土与基督教信仰问题,在他的创作中始终贯穿着对“罪与罚”的沉重思考
译者简介
林水福,日本文学研究者,翻译家,台湾芥川龙之介学会会长,台湾石川啄木学会会长,日本东北大学文学博士,南台科技大学教授;研究范畴以日本文学与日本文学翻译为主,并延伸到台湾文学研究及散文创作。著有《他山之石》《日本现代文学扫描》《源氏物语的女性》等。译有远藤周作、谷崎润一郎、井上靖、大江健三郎等多位日本名家作品,其翻译的远藤周作作品主要包括:《沉默》《武士》《我·抛弃了的·女人》《丑闻》等。
From Publishers Weekly
"Some 35 years have passed since I wrote this novel and, on rereading it, I am struck by the immature technique revealed in certain places." So writes Endo (Deep River) in a candid afterword. Endo, Japan's foremost Catholic novelist, is a good critic of his own work, for this novel is a sentimental tale filled with coincidence and heavy Christian symbolism. Yoshioka Tsutomu, a typical Japanese salaryman, hears a disembodied voice in his head that says: "It's not possible for someone to interact with a fellow human being without leaving some traces." Specifically, the voice (which belongs to Jesus Christ) refers to a country girl named Morita Mitsu, whom Yoshioka seduced when he was a college student. Their affair was a shabby thing: Yoshioka exploited Mitsu's sympathy for his slight limp, caused by childhood polio, to get her into bed. Mitsu's a true naif, down to the sentimental pop songs she sings and the movie stars she adores. As far as Yoshioka's concerned, it's a one-night stand. But Mitsu keeps popping into his life at the oddest moments: a misshaped crucifix she acquired on their evening together resurfaces in Yoshioka's life; later, he falls in love with a woman who used to work with Mitsu. Inevitably, he meets her again, but under greatly altered circumstances, an encounter that leads Mitsu to a life of Christian charity. Flawed and awkward as it is, this early novel by a writer who has since come to be viewed as a master has moments of sparkling intelligence and clarity.
Copyright 1995 Reed Business Information, Inc.
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