the river runs south/thru barrios and ghettoes and starched neighborhood squares
and everywhere the dogs howl
I don’t even trust the sound of my own voice here
my own impermanence haunts me, but this thought alone relieves the pressure
from the mirror to the gutter, gutter tongued
my heart speaks to the silence in me
let me walk alone/home
as the dead stoplights wave goodnight
—from "The River Runs Foul"
Having risen to fame during the grunge era in the early 90s, Billy Corgan is among the most respected figures of the alternative rock world—a visionary artist who, over a decade later, still commands a devoted following.
Long admired for his evocative songwriting, Corgan here embarks on a deeper exploration of literary terrain as a poet. Full of “the regretful melancholy of his music [and] the rhythmic, angular wordplay of his best Pumpkins lyrics" (Jeff Vrabel, Chicago Sun-Times), the poems in this collection form an imagistic journey through the intensely personal as Corgan throws into sharp relief issues of love, loss, identity, and loyalty. Crafted with a thoughtful and cadenced approach that shares the same allegiance to thunder and quiet found in his music, these writings further solidify Corgan’s place as the voice of a generation.
具體描述
讀後感
評分
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用戶評價
光頭貓男瘋瞭
评分作為搖滾樂曆史上最偉大的創作人之一，比利科根的語言離不開他音樂的節奏與氛圍。沒有瞭節奏，他的語言就會顯得慌亂。國內的吳吞在這點和他類似。
评分作為搖滾樂曆史上最偉大的創作人之一，比利科根的語言離不開他音樂的節奏與氛圍。沒有瞭節奏，他的語言就會顯得慌亂。國內的吳吞在這點和他類似。
评分作為搖滾樂曆史上最偉大的創作人之一，比利科根的語言離不開他音樂的節奏與氛圍。沒有瞭節奏，他的語言就會顯得慌亂。國內的吳吞在這點和他類似。
评分光頭貓男瘋瞭
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