The Dharma Bums

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出版者:Penguin Classics
作者:Jack Kerouac
出品人:
页数:224
译者:
出版时间:2006-10
价格:USD 16.00
装帧:Paperback
isbn号码:9780143039600
丛书系列:
图书标签:
  • 小说
  • 美国文学
  • JackKerouac
  • 垮掉的一代
  • Kerouac
  • 英文版
  • 美国
  • 杰克·凯鲁亚克
  • 旅行
  • 文学
  • 禅修
  • 自由精神
  • 美国文学
  • 荒野
  • 反主流
  • 自我探索
  • 随笔
  • 存在主义
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具体描述

A deluxe edition of Kerouac's 1958 classic

Published just one year after On The Road, this is the story of two men enganged in a passionate search for Dharma or truth. Their major adventure is the pursuit of the Zen Way, which takes them climbing into the High Sierras to seek the lesson of solitude.

For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

《寂静的追寻》 在这片被时间遗忘的土地上,故事的主人公,一个年轻的艺术家,正踏上他人生中最艰难的旅程。他名叫伊桑,曾以为画布上的色彩和雕塑的形态便是他世界的全部,然而,一场突如其来的失落,如同一场无情的风暴,席卷了他的生活,将他推入无尽的迷茫。他失去了灵感,也失去了与世界连接的触角。 伊桑的内心被一种深刻的空虚占据,他开始质疑自己存在的意义,质疑艺术的价值,甚至质疑他一直以来所信奉的一切。在最绝望的时刻,他偶然收到了一封来自远方的信,信中描绘了一个古老而宁静的山谷,那里流传着一种能够治愈心灵创伤的古老智慧。信的寄件人,是一位名叫凯尔的隐居智者,他住在远离尘嚣的雪山脚下,被当地人视为先知。 被一种莫名的力量驱使,伊桑毅然打包行李,离开了繁华的都市,踏上了前往那片神秘山谷的遥远旅途。旅途中,他经历了风霜雨雪,也遇到了形形色色的人。他遇到了一个怀揣着音乐梦想的流浪汉,一个在山林间寻找失落古籍的学者,还有一个在旅途中疗愈自己内心伤痛的孤独女子。他们的故事,如同星辰一般,在伊桑的生命中闪烁,教会他关于坚韧、关于希望、关于人性中最柔软的部分。 当伊桑终于抵达那个被云雾笼罩的山谷时,他眼前的景象让他屏住了呼吸。古老的寺庙坐落在山峦之间,散发着庄严而宁静的气息。空气中弥漫着草药和焚香的混合味道,一切都显得如此纯净而超然。他见到了凯尔,一位眼神深邃、面容慈祥的老人。凯尔并没有直接解答伊桑的困惑,而是邀请他留下来,参与山谷里日复一日的简单生活。 在凯尔的指引下,伊桑开始学习古老的冥想技巧,感受内心的平静。他参与了寺庙的日常劳作,清扫庭院,照顾花园,学习辨认草药。他开始观察山谷里的一草一木,倾听风吹过树叶的声音,感受阳光穿透云层的温暖。他发现,在这些看似平凡的活动中,蕴藏着深刻的哲学和治愈的力量。 凯尔并没有强迫伊桑去“找到”什么,而是引导他去“体验”什么。他教导伊桑,生命的意义并非是追寻某个远方的目标,而是活在当下的每一个瞬间,去感受,去接纳,去理解。他让伊桑明白,内心的创伤并非无法愈合,而是需要时间和耐心去温柔地对待。 随着时间的推移,伊桑脸上的阴霾渐渐散去,取而代之的是一种从容和淡然。他重新拾起了画笔,但此时他笔下的色彩,不再是源于对外界的模仿,而是源于内心深处对生命本质的感悟。他开始创作,描绘山谷的静谧,描绘村民的淳朴,描绘光影在树叶间跳跃的痕迹。他的艺术,从浮于表面的技巧,升华为一种对生命的热爱和对宁静的歌颂。 在山谷的这段日子,伊桑结识了一群志同道合的朋友,他们或许来自不同的背景,拥有不同的故事,但在追寻心灵平静的道路上,他们找到了彼此的慰藉和力量。他们分享着彼此的喜悦和忧伤,互相鼓励,共同成长。 故事的结局,伊桑并没有声称自己“治愈”了所有伤痛,但他学会了与伤痛共存,并从中汲取力量。他明白了,真正的追寻,并非是为了抵达某个终点,而是在旅途中不断地发现自己,理解世界。他最终离开了山谷,但那里的宁静、智慧和友谊,已深深地刻在了他的灵魂里,成为了他人生中最宝贵的财富。他带着这份宁静,继续用他的艺术,去描绘这个世界的美好,去传递那份源于内心深处的安详。

作者简介

Born on March 12, 1922, in Lowell, Massachusetts, Jack Kerouac's writing career began in the 1940s, but didn't meet with commercial success until 1957, when On the Road was published. The book became an American classic that defined the Beat Generation. Kerouac died on October 21, 1969, from an abdominal hemorrhage, at age 47.

Early Life

Famed writer Jack Kerouac was born Jean-Louis Lebris de Kerouac on March 12, 1922, in Lowell, Massachusetts. A thriving mill town in the mid-19th century, Lowell had become, by the time of Jack Kerouac's birth, a down-and-out burg where unemployment and heavy drinking prevailed. Kerouac's parents, Leo and Gabrielle, were immigrants from Quebec, Canada; Kerouac learned to speak French at home before he learned English at school. Leo Kerouac owned his own print shop, Spotlight Print, in downtown Lowell, and Gabrielle Kerouac, known to her children as Memere, was a homemaker. Kerouac later described the family's home life: "My father comes home from his printing shop and undoes his tie and removes [his] 1920s vest, and sits himself down at hamburger and boiled potatoes and bread and butter, and with the kiddies and the good wife."

Jack Kerouac endured a childhood tragedy in the summer of 1926, when his beloved older brother Gerard died of rheumatic fever at the age of 9. Drowning in grief, the Kerouac family embraced their Catholic faith more deeply. Kerouac's writing is full of vivid memories of attending church as a child: "From the open door of the church warm and golden light swarmed out on the snow. The sound of the organ and singing could be heard."

Kerouac's two favorite childhood pastimes were reading and sports. He devoured all the 10-cent fiction magazines available at the local stores, and he also excelled at football, basketball and track. Although Kerouac dreamed of becoming a novelist and writing the "great American novel," it was sports, not writing, that Kerouac viewed as his ticket to a secure future. With the onset of the Great Depression, the Kerouac family suffered from financial difficulties, and Kerouac's father turned to alcohol and gambling to cope. His mother took a job at a local shoe factory to boost the family income, but, in 1936, the Merrimack River flooded its banks and destroyed Leo Kerouac's print shop, sending him into a spiral of worsening alcoholism and condemning the family to poverty. Kerouac, who was, by that time, a star running back on the Lowell High School football team, saw football as his ticket to a college scholarship, which in turn might allow him to secure a good job and save his family's finances.

Upon graduating from high school in 1939, Kerouac received a football scholarship to Columbia University, but first he had to attend a year of preparatory school at the Horace Mann School for Boys in Brooklyn. So, at the age of 17, Kerouac packed his bags and moved to New York City, where he was immediately awed by the limitless new experiences of big city life. Of the many wonderful new things Kerouac discovered in New York, and perhaps the most influential on his life, was jazz. He described the feeling of walking past a jazz club in Harlem: "Outside, in the street, the sudden music which comes from the nitespot fills you with yearning for some intangible joy—and you feel that it can only be found within the smoky confines of the place." It was also during his year at Horace Mann that Kerouac first began writing seriously. He worked as a reporter for the Horace Mann Record, and published short stories in the school's literary magazine, the Horace Mann Quarterly.

The following year, in 1940, Kerouac began his freshman year as a football player and aspiring writer at Columbia University. However, he broke his leg in one of his first games and was relegated to the sidelines for the rest of the season. Although his leg had healed, Kerouac's coach refused to let him play the next year, and Kerouac impulsively quit the team and dropped out of

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读后感

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昨天晚上读完了前段时间买回来的《达摩流浪者》。 从具有禅宗意味的书名就能略想书中内容的一二,凯鲁亚克这个垮掉一代的领军人物的代表作《在路上》倒是借过又退回,终没有阅读,却先读下这冠名为续篇的一本。 我回想起高三备考的阶段,因为什么,我们把课桌都拖到教...  

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说起《达摩流浪者》就不能不提《在路上》,这两本指南针一般的书,为克鲁亚克在美国文学史上留下了不可磨灭的丰碑!也在“垮掉的一代”的心里刻下了的最为浓重一笔! 记得当年读《在路上》正是反叛自由颠覆生活的高潮。被热辣辣的文字折磨了好久,阅读完毕脚底板就开始发痒,...  

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捧着手中的《达摩流浪者》,思绪随着杰克·凯鲁亚克的脚步,从洛杉矶到旧金山,到墨西哥边境,到北卡罗莱纳,再带着感悟回到旧金山,最后登上喀斯喀特山脉的孤凉峰顶。眼睛里看的,是凯鲁亚克不断起伏的沉静与顿悟,心里却不停地自问:在这个年代,究竟为什么要去看凯鲁亚克?...  

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用户评价

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这本小说的文字密度简直令人叹为观止,每一页都像是被精心雕琢的宝石,闪烁着既粗粝又细腻的光芒。作者对人物内心世界的挖掘,那种近乎残酷的坦诚,让我时常停下来,合上书,盯着空白的墙壁,思考自己那些从未敢正视的幽暗角落。这不是一本轻松愉快的读物,它更像是一次对精神荒原的深度探险,充满了对传统价值体系的质疑和对个体自由近乎偏执的追寻。叙事节奏的掌控出神入化,时而如暴风骤雨般紧凑,将人物推入绝境,时而又慢得如同凝固的琥珀,让时间在细微的感官体验中无限拉长。我特别欣赏作者在描绘那些看似漫不经心,实则暗流涌动的日常互动时所展现的功力,那些未说出口的话语,那些眼神的交汇,比任何直接的宣言都更有力量。读完后,你很难立刻回到日常生活中,它在你灵魂深处留下了一块挥之不去的印记,促使你重新审视自己与周遭世界的关系,那是一种混合着敬畏与不安的复杂感受。

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这本书像是一首充满了爵士乐即兴色彩的长篇独白,结构松散却内在逻辑严密,充满了能量的爆发点。它对“逃离”和“追寻”这两种人类基本冲动进行了淋漓尽致的描绘,那些关于山脉、关于孤独、关于燃烧生命每一个瞬间的段落,读起来让人热血沸腾,仿佛能闻到松针的气味和篝火的烟味。我尤其喜欢作者对特定地理环境的细腻描摹,那些自然景观不仅仅是背景板,它们是人物精神状态的延伸,是他们内在冲突的外化。情节的推进并不依赖于传统意义上的高潮迭起,而是建立在人物精神状态的微妙演变之上,这种由内向外的叙事方式,需要读者保持高度的专注和耐心。对于那些习惯了线性叙事和明确情节走向的读者来说,这本书可能会带来一定的挑战,但一旦你沉浸其中,你会发现这种自由的结构反而更能贴合生活的本质——充满了偶然、重复与突如其来的顿悟。

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读完这本书,我感觉自己好像刚进行了一场漫长且艰苦的攀登,脚下是碎石和荆棘,但顶峰的视野却令人心胸开阔。它描绘的那些生活片段,充满了对“真实”的赤裸裸的渴求,那种为了维护某种内在的纯粹性,不惜与世俗生活决裂的勇气,令人既钦佩又感到一丝寒意。作者的语言风格是如此的独特,它既有诗歌的韵律感,又不失散文的沉思性,常常使用一些我从未想过可以并置的意象,创造出一种既熟悉又陌生的阅读体验。故事中人物的挣扎和选择,并非简单的对与错的二元对立,而是在灰色地带里艰难求生的寓言。特别是对于“艺术的价值”与“生存的必要性”之间永恒矛盾的探讨,更是触及了许多创作者内心深处的痛点。这本书不提供答案,它只提出问题,并且用一种近乎挑衅的姿态,要求读者自己去寻找那份独一无二的解读,这种互动性是它最迷人的地方。

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坦白说,这本书的阅读过程充满了挑战性,我必须承认,有些地方我需要反复阅读才能完全把握其意图。它像是一部关于友谊、关于背叛、关于精神导师如何塑造或毁灭追随者的深度剖析。作者对人际关系复杂性的把握,尤其是那种超越了传统伦理框架的连接,处理得极其微妙和深刻。我们看到的人物,都在试图用自己的方式去打破某种既定的模式,他们拒绝被定义,拒绝被归类,这种强烈的反叛精神贯穿始终。书中关于“修行”的探讨,并非宗教意义上的,而是一种更贴近于自我磨砺的、近乎苦行僧式的实践。我感受到的,是一种对平庸生活的强烈厌倦,以及对超越平庸所必须付出的代价的清醒认知。这本书无疑属于那种需要被“消化”的作品,它不会轻易地将它的秘密交给你,你需要用自己的经历去对照、去印证,才能真正领会其精髓。

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这部作品的语言给我留下了极其深刻的印象,它拥有强大的节奏感和一种近乎预言式的口吻,仿佛作者不是在讲述故事,而是在记录某种必然发生的命运轨迹。它对“美”的追求,无论是体现在对自然景色的描绘上,还是对某种特定生活方式的向往上,都显得无比纯粹和绝对,甚至到了不近人情的地步。这本书深刻地探讨了“边缘人”的生存状态——他们如何看待主流社会,以及他们内部形成的独特而脆弱的价值体系。我反复思考了书中关于“成功”的定义,作者似乎在暗示,真正的成功或许恰恰在于拒绝参与主流的竞赛。这种对既定社会契约的颠覆性思考,使得这本书不仅仅是一部小说,更像是一份充满激情的宣言。它鼓励人们去质疑那些被奉为圭臬的“常识”,转而倾听内心深处那微弱但坚定的声音,尽管那声音可能会引导你走向孤寂。

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The time I spent with The Dharma Bums was the most spiritual period so far, I wake up, meditate, smoke a little bit, for some time really feel the void of life, and eventually took the meditation class when finishing up the book. Kerouac is different from other pure writings I love. He doesn't analyze, but just sense and appreciate. Thank you Jack.

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好喜欢,读爬山的描写时,快乐的感同身受要飞起来。

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O ever youthful, O ever JiaoQing

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我喜欢爬山的一点也是这样,在路上不用和别人说话,也不会感到尴尬。想起去年爬恒山了,两个人默默走在雪地上,冻到发抖,说不了话,却很开心。

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literally SHIT

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