In China on Screen, Chris Berry and Mary Farquhar, leaders in the field of Chinese film studies, explore more than one hundred years of Chinese cinema and nation. Providing new perspectives on key movements, themes, and filmmakers, Berry and Farquhar analyze the films of a variety of directors and actors, including Chen Kaige, Zhang Yimou, Hou Hsiao Hsien, Bruce Lee, Jackie Chan, Maggie Cheung, Gong Li, Wong Kar-wai, and Ang Lee. They argue for the abandonment of "national cinema" as an analytic tool and propose "cinema and the national" as a more productive framework. With this approach, they show how movies from China, Hong Kong, Taiwan, and the Chinese diaspora construct and contest different ideas of Chinese nation -- as empire, republic, or ethnicity, and complicated by gender, class, style, transnationalism, and more. Among the issues and themes covered are the tension between operatic and realist modes, male and female star images, transnational production and circulation of Chinese films, the image of the good foreigner -- all related to different ways of imagining nation. Comprehensive and provocative, China on Screen is a crucial work of film analysis.</P>
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標準文化研究的套路，首先論述討論民族國家電影範圍的合理性然後就開始性別、民族、文化研究。
评分对transnational cinema这个框架的批评还是很同意的！
评分good for a text book, and good for a scholarly work
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评分用文化研究探究中国电影的民族性，从电影反映的历史（Haunted Time，不同时期对鸦片战争的反映），男性，女性，酷儿群体，到跨国电影时期的，Chris和Mary不再认为民族电影是一种可靠的研究方式，转投到“电影与民族”，最后一章也上升到跨国电影中的民族性问题
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