Death and the Idea of Mexico is the first social, cultural, and political history of death in a nation that has made death its tutelary sign. Examining the history of death and of the death sign from sixteenth-century holocaust to contemporary Mexican-American identity politics, anthropologist Claudio Lomnitz's innovative study marks a turning point in understanding Mexico's rich and unique use of death imagery. Unlike contemporary Europeans and Americans, whose denial of death permeates their cultures, the Mexican people display and cultivate a jovial familiarity with death. This intimacy with death has become the cornerstone of Mexico's national identity.<br /> <br /> Death and Idea of Mexico focuses on the dialectical relationship between dying, killing, and the administration of death, and the very formation of the colonial state, of a rich and variegated popular culture, and of the Mexican nation itself. The elevation of Mexican intimacy with death to the center of national identity is but a moment within that history -- within a history in which the key institutions of society are built around the claims of the fallen.<br /> <br /> Based on a stunning range of sources -- from missionary testimonies to newspaper cartoons, from masterpieces of artistic vanguards to accounts of public executions and political assassinations -- Death and the Idea of Mexico moves beyond the limited methodology of traditional historiographies of death to probe the depths of a people and a country whose fearless acquaintance with death shapes the very terms of its social compact.
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爭做第一個給它在豆瓣評分的人（微笑
评分爭做第一個給它在豆瓣評分的人（微笑
评分爭做第一個給它在豆瓣評分的人（微笑
评分爭做第一個給它在豆瓣評分的人（微笑
评分爭做第一個給它在豆瓣評分的人（微笑
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