J.M.库切（J.M.Coetzee 1940－），库切1940年生于南非开普敦，荷兰裔移民后代。成长于南非种族隔离政策逐渐成形并盛行的年代。1960年他离开南非赴伦敦，从事电脑软件设计。1965年到美国攻读文学博士，毕业后在纽约州立大学做教授。1971年回到南非，在开普敦大学英文系任教。2002年移居澳大利亚。现系美国芝加哥大学“社会思想委员会”成员，并在该校执教。小说《等待野蛮人》（1980）一出版，即摘取费柏纪念奖、布莱克纪念奖，为库切赢得了国际声誉。《迈克尔·K的生活和时代》（1983）出版当年就赢得英语文学界最高荣誉——英国布克奖。《耻》1999年再度获布克奖，使库切成为唯一的一位两次获该奖项的作家。1994年出版的《彼得堡的大师》获得爱尔兰时报国际小说奖。男孩（1997）和《青春》（2002）是自传体小说，披露他生活中不为人所知的一面。其他重要作品还有《幽暗之地》（1974）、《内陆深处》（1977）、《福》（1986）、《伊丽莎白·科斯特洛：八堂课》（2003）、《慢人》（2005）等。库切的每一部作品风格完全不同，意义多元。他是英语文学中获奖最多的作家之一，除了以上提到的奖项，还获得过法国费米那奖、普利策奖、2000年英联邦作家奖等。2003年库切荣膺诺贝尔文学奖。

J.M.库切的小说以结构精致、对话隽永、思辨深邃为特色。然而，他是一个有道德原则的怀疑论者，对当下西方文明中浅薄的道德感和残酷的理性主义给予毫不留情的批判。他以知性的诚实消解了一切自我慰藉的基础，使自己远离俗丽而无价值的戏剧化的解悟和忏悔。

他的自传体小说《男孩》主要描写了父亲的人格屈辱以及由此引起的心理分裂。但小说同时展现了南非老派乡村生活的奇妙场景，以及布尔人和英格兰人之间，白人和黑人之间永无休止的冲突。在续篇《青春》中，作者冷酷地剖析自己，刻画了一个以古怪的方式祈望获得他人认同的年轻人。

——瑞典文学院诺贝尔文学奖受奖词

When photographer Paul Rayment loses his leg in a bicycle accident, his solitary life is irrevocably changed whether he likes it or not. Stubbornly refusing a prosthesis, Paul returns to his bachelor’s apartment in Adelaide, Australia, uncomfortable with his new dependency on others. He is given to bouts of hopelessness and resignation as he looks back on his sixty years of life, but his spirits are lifted when he finds himself falling in love with Marijana, his practical, down-to-earth Croatian nurse who is struggling to raise her family in a foreign land. As Paul contemplates how to win her heart, he is visited by the mysterious writer Elizabeth Costello, who challenges Paul to take an active role in his own life.

In this new book, Coetzee offers a profound meditation on what makes us human, on what it means to grow older and reflect on how we have lived our lives. Like all great works of literature, Slow Man is a novel that asks questions but rarely provides answers; it is a portrait of a man in search of truth. Paul Rayment’s accident changes his perspective on life, and as a result, he begins to address the kinds of universal concerns that define us all: What does it mean to do good? What in our lives is ultimately meaningful? Is it more important for one to feel loved or cared for? How do we define the place that we call "home"? In his clear and uncompromising voice, Coetzee struggles with these issues, and the result is a deeply moving story about love and mortality that dazzles the reader on every page.