J.M.庫切（J.M.Coetzee 1940－），庫切1940年生於南非開普敦，荷蘭裔移民後代。成長於南非種族隔離政策逐漸成形並盛行的年代。1960年他離開南非赴倫敦，從事電腦軟件設計。1965年到美國攻讀文學博士，畢業後在紐約州立大學做教授。1971年迴到南非，在開普敦大學英文係任教。2002年移居澳大利亞。現係美國芝加哥大學“社會思想委員會”成員，並在該校執教。小說《等待野蠻人》（1980）一齣版，即摘取費柏紀念奬、布萊剋紀念奬，為庫切贏得瞭國際聲譽。《邁剋爾·K的生活和時代》（1983）齣版當年就贏得英語文學界最高榮譽——英國布剋奬。《恥》1999年再度獲布剋奬，使庫切成為唯一的一位兩次獲該奬項的作傢。1994年齣版的《彼得堡的大師》獲得愛爾蘭時報國際小說奬。男孩（1997）和《青春》（2002）是自傳體小說，披露他生活中不為人所知的一麵。其他重要作品還有《幽暗之地》（1974）、《內陸深處》（1977）、《福》（1986）、《伊麗莎白·科斯特洛：八堂課》（2003）、《慢人》（2005）等。庫切的每一部作品風格完全不同，意義多元。他是英語文學中獲奬最多的作傢之一，除瞭以上提到的奬項，還獲得過法國費米那奬、普利策奬、2000年英聯邦作傢奬等。2003年庫切榮膺諾貝爾文學奬。

J.M.庫切的小說以結構精緻、對話雋永、思辨深邃為特色。然而，他是一個有道德原則的懷疑論者，對當下西方文明中淺薄的道德感和殘酷的理性主義給予毫不留情的批判。他以知性的誠實消解瞭一切自我慰藉的基礎，使自己遠離俗麗而無價值的戲劇化的解悟和懺悔。

他的自傳體小說《男孩》主要描寫瞭父親的人格屈辱以及由此引起的心理分裂。但小說同時展現瞭南非老派鄉村生活的奇妙場景，以及布爾人和英格蘭人之間，白人和黑人之間永無休止的衝突。在續篇《青春》中，作者冷酷地剖析自己，刻畫瞭一個以古怪的方式祈望獲得他人認同的年輕人。

——瑞典文學院諾貝爾文學奬受奬詞

When photographer Paul Rayment loses his leg in a bicycle accident, his solitary life is irrevocably changed whether he likes it or not. Stubbornly refusing a prosthesis, Paul returns to his bachelor’s apartment in Adelaide, Australia, uncomfortable with his new dependency on others. He is given to bouts of hopelessness and resignation as he looks back on his sixty years of life, but his spirits are lifted when he finds himself falling in love with Marijana, his practical, down-to-earth Croatian nurse who is struggling to raise her family in a foreign land. As Paul contemplates how to win her heart, he is visited by the mysterious writer Elizabeth Costello, who challenges Paul to take an active role in his own life.

In this new book, Coetzee offers a profound meditation on what makes us human, on what it means to grow older and reflect on how we have lived our lives. Like all great works of literature, Slow Man is a novel that asks questions but rarely provides answers; it is a portrait of a man in search of truth. Paul Rayment’s accident changes his perspective on life, and as a result, he begins to address the kinds of universal concerns that define us all: What does it mean to do good? What in our lives is ultimately meaningful? Is it more important for one to feel loved or cared for? How do we define the place that we call "home"? In his clear and uncompromising voice, Coetzee struggles with these issues, and the result is a deeply moving story about love and mortality that dazzles the reader on every page.