Walden

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出版者:Houghton Mifflin
作者:Henry David Thoreau
出品人:
页数:275
译者:
出版时间:2004-8-11
价格:GBP 30.49
装帧:Hardcover
isbn号码:9780618457175
丛书系列:
图书标签:
  • 瓦尔登湖
  • 梭罗
  • 哲学
  • 自然
  • 英文原版
  • 心灵深处的宁静
  • 外国文学
  • 简朴生活
  • 自然哲学
  • 隐居
  • 自我反省
  • 简朴生活
  • 美国文学
  • 梭罗
  • 环境意识
  • 独立精神
  • 人文主义
  • 个人自由
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具体描述

Published in association with the Walden Woods Project, this beautiful commemorative edition of Thoreau's masterpiece features spectacular color photographs that capture Walden as vividly as Thoreau's words do.

Henry David Thoreau was just a few days short of his twenty-eighth birthday when he built a cabin on the shore of Walden Pond and began one of the most famous experiments in living in American history. Originally he was not, apparently, intending to write a book about his life at the pond, but nine years later, in August of 1854, Houghton Mifflin's predecessor, Ticknor and Fields, published Walden; or, a Life in the Woods. At the time the book was largely ignored, and it took five years to sell out the first printing of two thousand copies. It was not until 1862, the year of Thoreau's death, that the book was brought back into print, and it has never been out of print since. Published in hundreds of editions and translated into virtually every modern language, it has become one of the most widely read and influential books ever written.

好的,以下是一本与亨利·戴维·梭罗的《瓦尔登湖》无关的图书简介,旨在提供一个详尽、引人入胜的叙事预览: 《琉璃之城:失落的亚特兰蒂斯文明的挽歌》 作者: 伊莱亚斯·凡尔纳(Elias Verne) 类型: 文明考古、失落的历史、哲学探险 页数: 约 620 页(精装本) --- 卷首语:海潮下的低语 “在时间的长河中,有些文明并非消失,它们只是选择沉入更深的海域,将真相的碎片留给那些敢于潜入黑暗的人。” 核心简介 《琉璃之城》并非一部简单的历史叙事,而是一场跨越三个世纪的宏大追寻,聚焦于人类历史上最引人入胜的谜团之一:亚特兰蒂斯。然而,本书摒弃了所有关于神谕、魔法或超自然力量的传统描述,转而深入探讨一个截然不同的视角——一个基于严谨的、近乎偏执的科学探究与政治哲学的失落帝国。 作者伊莱亚斯·凡尔纳,一位隐退的海洋历史学家和密码破译专家,通过汇集和翻译一系列尘封于梵蒂冈秘密档案馆、威尼斯总督府以及南美洲安第斯山脉深处修道院中的残缺文献,重构了一个令人震惊的亚特兰蒂斯画像。 第一部:光辉的构建——奥瑞恩的遗产 故事始于公元前 4000 年左右的北大西洋中央海脊。亚特兰蒂斯,在凡尔纳的笔下,被称为“奥瑞恩”(Aureon)——一个以声波工程学和晶体共振理论为基石的超级文明。 凡尔纳详细描绘了奥瑞恩的城市结构:它们并非由石头堆砌,而是利用深海火山玻璃和地幔提取的稀有硅酸盐晶体,通过精准的谐波振动塑造而成。这些“琉璃”建筑不仅美轮美奂,更充当了整个帝国的能源和信息传输网络。首都城市——被后世称为“普洛斯之核”——是一个漂浮在特制磁力场上的巨型平台,其运转依赖于对地核脉动的精确捕捉与导引。 本书深入剖析了奥瑞恩的社会结构。它是一个高度分化的精英共和国,由“共振议会”统治。社会等级不再基于血缘,而是基于个体对复杂声波编码和数学模型的掌握程度。平民阶层负责基础的维护和资源采集,而精英阶层则专注于对宇宙规律的探索,他们的目标是将整个星球提升到一个更高的“频率”。 第二部:哲学的裂隙与科学的悖论 随着奥瑞恩文明的鼎盛,内部的矛盾也逐渐浮现。凡尔纳揭示了亚特兰蒂斯衰落的真正原因:知识的集中与道德的退化。 故事的中心冲突围绕着两位关键人物展开:首席工程师卡西奥斯和伦理学家莉安娜。卡西奥斯相信,只有通过最大化能量捕获,将奥瑞恩提升到“超维存在”的境界,才能确保文明的永恒。为此,他开始秘密进行一项被称为“寂静之潮”的实验——试图暂时屏蔽地球磁场,以便直接对接太阳能量。 而莉安娜则坚信,奥瑞恩的科学已经超越了其驾驭它的伦理能力。她发现,维持琉璃之城的巨大能量输出正在悄无声息地破坏地壳的稳定性,并且,卡西奥斯的实验正在造成低频次、不可逆的“结构性疲劳”。她的警告被议会视为对进步的阻碍。 本书最震撼人心的部分,是对亚特兰蒂斯内部政治辩论的还原。凡尔纳通过破译的会议记录,展示了一场关于“人类的终极目标究竟是探索无限空间,还是维护有限的平衡”的激烈交锋。 第三部:沉没与回响——末日的记录 最后的篇章,是凡尔纳对亚特兰蒂斯覆灭的惨烈、但极其科学的重建。 “寂静之潮”实验失败了。它没有带来超维升华,反而引发了一场前所未有的地壳共振灾难。当卡西奥斯试图校准频率时,奥瑞恩的晶体网络因过载而崩溃,产生的反向冲击波瞬间引发了大规模的海底滑坡和火山爆发。 凡尔纳运用现代地质学模型,详细推演了灾难发生时的物理过程:巨型晶体结构爆裂产生的冲击波,如何撕裂了数千平方公里的海底板块;平台如何因失去磁力支撑而瞬间下沉;以及,那些幸存者如何试图使用最后残存的“声波锚点”技术,将少数知识核心(而非人口)送往世界各地——这些信息碎片,正是凡尔纳耗费毕生精力搜寻的文献源头。 《琉璃之城》的结局不是悲怆的叹息,而是对现代文明的警示。凡尔纳总结道,奥瑞恩的遗迹不是关于失落的宝藏,而是关于科技权力必须与深刻的谦逊相匹配的永恒教训。作者通过这些深海考古证据,挑战了我们对进步的盲目崇拜,并迫使读者思考:我们今天所追求的“无限增长”,是否正将我们引向另一座等待沉没的琉璃之城。 读者对象 本书适合所有对古文明、历史悬案、科学哲学辩论以及严谨的、基于证据的“另类历史”叙事感兴趣的读者。它要求读者具备耐心和批判性思维,因为它拒绝了所有的奇幻元素,坚持以冰冷的科学逻辑,解剖一个曾经辉煌到令人窒息的帝国是如何自我毁灭的。 读者评价摘录: “凡尔纳没有给我们一个神话,他给了我们一个失控的核反应堆的蓝图。读完后,你对现代工程学的敬畏感会大幅下降。” ——《古典考古评论》 “本书的文献引述部分令人叹服。它更像是一部严谨的史学著作,而非冒险小说,其深度远超任何关于亚特兰蒂斯的流行读物。” ——《自然与科学史季刊》

作者简介

SCOT MILLER is a professional photographer whose photographs have appeared in numerous books and publications, including Walden: The 150th Anniversary Illustrated Edition of the American Classic and Cape Cod: Illustrated Edition of the American Classic . Miller lives in Dallas, Texas, with his wife, Marilyn, where they operate Sun to Moon Gallery, a fine art photography gallery.

Biography

Henry David Thoreau was born on July 12, 1817, in Concord, Massachusetts, the third of four children. His family lived on a modest, sometimes meager, income; his father, John, worked by turns as a farmer, schoolteacher, grocer, and pencil-maker; his mother, Cynthia, was a teacher and would take in boarders when money was scarce. Young Henry's gifts manifested themselves early. He wrote his first piece, "The Seasons," at age ten, and memorized portions of Shakespeare, the Bible, and Samuel Johnson while studying at the Center School and Concord Academy. In addition to his academic pursuits, Henry rambled through the countryside on exploratory walks and attended lectures at the Concord Lyceum, where as an adult he would fascinate audiences with his discourses on life on Walden Pond.

Thoreau began his studies at Harvard College in 1833. His years at Harvard were stimulating, if solitary; he immersed himself in a traditional humanities curriculum of multiple languages, anatomy, history, and geography. Upon graduation in 1837, he began teaching in Concord at the Center School, the public school he'd attended as a boy, but left his post after being told to administer corporal punishment to a student. During these years following college Thoreau published his first essay and poem, began lecturing at the Concord Lyceum, and attended Transcendentalist discussions at the home of his mentor, the renowned essayist and poet Ralph Waldo Emerson. At Emerson's urging, Thoreau started a journal -- a project that would become his lifelong passion and culminate in more than two million words.

A boat trip with his brother, John, in 1839 set the foundation for his well known work A Week on the Concord and Merrimack Rivers. Sadly, unforeseen tragedy separated the tightly knit brothers in 1842, when John died of lockjaw caused by a razor cut. The following year, Thoreau joined Emerson in editing the Transcendental periodical The Dial, a publication to which Thoreau would become a prolific contributor. He also pulled up stakes for a time, accepting a position to tutor Emerson's children in Staten Island, New York. Half a year later, Thoreau returned to his family's house in Concord, deeply affected by the abolitionists he had met in Manhattan. He dedicated much of his time to lectures and essays advocating abolition and became involved in sheltering runaway slaves on their journey north.

In 1846 Thoreau was briefly imprisoned for refusing to pay a poll tax to the village of Concord, in protest against the government's support of slavery, as well as its war of expansion with Mexico. His experience in the Concord jail led to the writing of what would later be titled "Civil Disobedience." Unappreciated in Thoreau's lifetime, "Civil Disobedience" is now considered one of the country's seminal political works.

During this period, Thoreau built his cabin on Walden Pond and lived there for a little more than two years. In this small home on Emerson's property, he began writing his most enduring work, Walden; or, Life in the Woods, and finished the manuscript for A Week on the Concord and Merrimack Rivers. Sales were exceedingly poor, with Thoreau eventually acquiring 706 unsold copies of the original 1000 copy print run. Thoreau quipped, "I have now a library of nearly nine hundred volumes, over seven hundred of which I wrote myself." When Walden was published in 1854, sales were brisk and its reception favorable, although Thoreau's work as a whole remained somewhat obscure during his lifetime.

By the time Walden was published, Thoreau had turned from the largely symbolic approach to nature that he had learned from Emerson and other Romantic writers to a much more empirical approach, more in keeping with new scientific methods. His observations of nature throughout the 1850s, largely recorded in his journals, have come to be regarded as a model of ecological attentiveness, even though the term "ecology" was not coined until 1866. He developed several talks on the natural history of the Concord region, and even set to work on a series of longer, book-length manuscripts. Two of these, one on the dispersal of tree seeds and the other on the region's many wild fruits, were not published until 1993 and 2000 respectively. Today, Thoreau's writing is valued for both the poetic imagination and the scientific methodology it displays.

As the years passed, Thoreau's commitment to the antislavery movement strengthened, as did his popularity as a lecturer and essayist. Even in the declining health of his later years, he remained a man of conviction and action, writing on many subjects and participating in various political causes until shortly before his death from tuberculosis. George Eliot's review of Walden singles out qualities that attract readers to this day: "a deep poetic sensibility" and "a refined as well as a hardy mind." Henry David Thoreau died on May 6, 1862, in Concord.

目录信息

Foreword vi
Economy 1
Where I Lived, and What I Lived For 61
Reading 75
Sounds 85
Solitude 101
Visitors 110
The Bean-Field 123
The Village 133
The Ponds 139
Baker Farm 161
Higher Laws 168
Brute Neighbors 179
House-Warming 191
Former Inhabitants; and Winter Visitors 205
Winter Animals 217
The Pond in Winter 228
Spring 243
Conclusion 259
A Statement from the Walden Woods Project 271
Artist's Statement 273
List of Illustrations 275
Then & Now 276
· · · · · · (收起)

读后感

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「当一个人离群索居时,才可能体会出生命的意义」梭羅 是的,我同意,因为孤独是必要的,因为孤独可以使生命恢復完整,可以回到自我的根源,求得身心安顿。   梭罗这麽说:「若是一天裡有几个时段可待在自己的空间裡,完全忠实的面对自己,真是一大释放,它们可以...  

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初读梭罗是在我大一上学期的时候,由于许多人推荐叫好,我也买了一本打算认真阅读。我认为所有的好书都适合在睡前阅读,《瓦尔登湖》也不例外,它被我放在枕头边,每天读几页,有助于睡眠,不是因为我思考过度,而是这本书很多琐碎的东西让我没法静心去看,所以,一个学期...  

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用户评价

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这本书带来的,是一种对“拥有”的重新定义。我们常常以为,拥有更多的物质才能获得快乐和安全感,但作者却恰恰相反。他认为,减少不必要的拥有,才能获得真正的自由。 我记得他描述了自己如何精简生活,将不必要的物品一件件地移出他的小屋。这个过程,对我来说,是一种心灵上的清理。很多时候,我们被自己的物品所束缚,被它们所代表的社会地位和期望所捆绑。作者的这种“放下”,让我看到了另一种可能性,一种更加轻盈、更加自在的生活状态。

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《瓦尔登湖》给我的感受,更多的是一种心境的转变。它不是那种读完就能让你立刻变得“更好”的书,但它会悄悄地在你心里种下一颗种子。这颗种子,会在你日后的生活中,在你遇到困境、感到迷茫的时候,慢慢地发芽。 作者对自然的细致描绘,对我来说,是一种治愈。他笔下的瓦尔登湖,不仅仅是一个地理名词,更是一种精神的象征。湖水如何随着季节变化,鸟儿如何歌唱,野花如何绽放,这些看似微不足道的细节,却被作者赋予了生命力。我常常在阅读的时候,会想象自己也置身于那片宁静的湖边,感受那份纯粹的、未经雕琢的美。

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总而言之,《瓦尔登湖》是一本值得反复阅读的书。它不是一本快餐读物,而是一本能够陪伴你一生,并在你不同的人生阶段,给予你不同启示的书。它让我学会了更加珍惜生命中的简单事物,学会了更加独立地思考,也学会了更加深刻地去感受生活。这本书,对我来说,不仅仅是一本书,更是一种生活态度的启蒙。

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这本书的语言有一种独特的魅力,既朴实无华,又富有哲理。作者能够用最简单的词语,描绘出最深刻的道理。他的文字,仿佛有一种魔力,能够将你带入那个宁静的湖畔世界。 我常常会反复阅读书中的某些句子,每次读都会有新的体会。那些关于“活在当下”、“认识你自己”、“简化生活”的论述,虽然看似简单,却蕴含着人生的智慧。它不是那种需要高深知识才能理解的书,而是任何一个愿意思考的人,都能从中获得启发的书。

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读《瓦尔登湖》的时候,我常常会陷入一种沉思。作者对社会、对文明的批判,并非是那种激烈的、情绪化的宣泄,而是带着一种冷静的观察和深刻的洞察。他质疑我们对物质的过度追求,对所谓“进步”的盲目崇拜,对人与人之间虚伪关系的厌倦。他鼓励我们去反思,去探寻生活中真正重要的东西。 在书中,他提到很多人一生都在忙碌,为了赚取微薄的利润而耗尽自己的生命,却从未真正活过。这让我感到一种莫名的恐惧。我们是不是也一样?每天被各种信息轰炸,被各种欲望驱使,却忘记了抬头看看天空,感受微风拂过脸颊?作者的文字,就像是一面镜子,照出了我们生活中许多被忽略的角落,也提醒我们,或许我们拥有的已经足够,只是我们被社会的喧嚣蒙蔽了双眼,看不见它的价值。

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《瓦尔登湖》带给我的,是一种对“意义”的追寻。在现代社会,我们很容易被各种表面的成功所迷惑,而忽略了生命真正的意义所在。作者却用他简朴的生活,展现了一种更加深邃的生命意义。 我记得书中有关于“消费”的讨论。作者认为,我们很多时候是为了满足他人的期望、为了获得社会的认可而去消费,而不是为了真正的需求。这种对消费主义的批判,让我开始重新审视自己的消费习惯,思考什么才是真正对自己有益的东西。

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我一直觉得,真正的智慧,往往蕴藏在最朴素的生活之中。而《瓦尔登湖》恰恰展现了这一点。作者并非提倡完全脱离社会,而是鼓励一种更加有意识、更加自主的生活方式。他用自己的亲身经历告诉我们,即使在最简朴的环境中,我们也能找到属于自己的丰富与深刻。 我特别喜欢书中关于“时间”的论述。作者认为,我们常常将时间浪费在无谓的社交、空洞的谈话和琐碎的事务上。而如果我们将时间用于思考、观察和与自然连接,生命的意义将会完全不同。这种对时间的敬畏和珍视,是我从这本书中学到的最宝贵的一课。

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阅读《瓦尔登湖》的过程,是一种潜移默化的影响。它不会给你醍醐灌顶的瞬间,却会在你内心深处播下思考的种子。我常常在生活中遇到一些场景,会不自觉地想起书中的某些段落,那些关于简化生活、关于亲近自然的思考,就会重新浮现。 我尤其欣赏作者那种不随波逐流的精神。在那个时代,社会主流价值观可能是追求物质富裕和城市生活,而作者却选择了截然不同的道路。这种勇气和独立精神,是我非常敬佩的。它让我思考,在现代社会,我们有多少时候是被社会 expectations 所裹挟,而忘记了自己的真实渴望?

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《瓦尔登湖》不是一本容易被标签化的书。你可以说它是哲学,也可以说是散文,甚至可以是一种生活方式的宣言。但对我来说,它更像是一种邀请,邀请我去审视自己与世界的关系,邀请我去探索生命的真正价值。 我曾尝试过在书中找到一些具体的操作指南,比如“如何像梭罗一样生活”。但后来我意识到,这本书的魅力不在于提供现成的答案,而在于启发你去寻找自己的答案。它鼓励你独立思考,勇于质疑,并最终找到属于自己的那片“瓦尔登湖”。

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这本《瓦尔登湖》真是一本奇书,它不是那种让你一口气读完然后就丢到一边的小说,也不是那种提供实操指南让你跃跃欲试的工具书。它更像是一坛陈年的老酒,需要你慢慢品味,细细咂摸。我第一次翻开它的时候,就被那种悠闲而又充满力量的语言所吸引。作者在书中描绘了他自己在瓦尔登湖边独居两年的生活,但绝非简单的记录,而是将这种与自然融为一体的生活,升华成了一种哲学,一种对生活本质的探索。 我记得书中有一个章节,详细描述了作者如何自己动手建造他的小屋,从选址、砍伐树木,到打地基、搭建框架,再到铺设屋顶、制作家具,每一个细节都写得那么实在,那么有条理。这让我不禁联想到我们现代人,有多少东西是“现成”的,有多少东西是依赖于别人的劳动成果?在作者的笔下,建造小屋的过程不仅仅是为了遮风挡雨,更是一种与自然对话,与自己内心对话的过程。他仿佛在与每一棵树、每一块石头交流,将它们变成自己生活的一部分。这种亲手创造的体验,即使我只是在书中阅读,也仿佛能够感受到那种实实在在的满足感和成就感。

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不仅不认识的单词多(这么多拉丁语希腊语才懒得查) 句子还拖老长 算是较难读的一本书 除了第一章印象不好之外后面章节都很优美 最后一章不服从不很同意 不过可以佩服一下你

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不仅不认识的单词多(这么多拉丁语希腊语才懒得查) 句子还拖老长 算是较难读的一本书 除了第一章印象不好之外后面章节都很优美 最后一章不服从不很同意 不过可以佩服一下你

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为了减低厌倦感找了个有声书每天散步听,听了两天果断还是算了……

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先读的英文版,再看看中国翻译家们如何描绘出梭罗的瓦尔登湖

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不仅不认识的单词多(这么多拉丁语希腊语才懒得查) 句子还拖老长 算是较难读的一本书 除了第一章印象不好之外后面章节都很优美 最后一章不服从不很同意 不过可以佩服一下你

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