Tom Friedman is an unusual young American sculptor who produces quirky yet beautiful sculptures out of household objects - pencils, plastic cups, laundry detergent, paper straws. Featured in cream and in a one-person presentation at The Museum of Modern Art, New York, Friedman has quickly gained an impressive following of some of the most attentive and influential contemporary art-watchers in the United States. This is art which raises questions about the making and seeing of art, about the pleasures of small transformations producing sudden beauty. This book will coincide with Friedman's first major American museum tour, to be held in 2000-2002. American art critic Bruce Hainley examines the artist's work as a kind of giant self-portrait. Poet and novelist Dennis Cooper discusses with the artist such unexpected influences as contemporary electronic music. Guardian art critic Adrian Searle looks at the artist's work Untitled, 1993 - a ring of plastic cups in a home-made Minimalist tradition. The Artist's Choices are The Dinner Party (1919) by Swiss writer Robert Walser, and the glossary to Info-Psychology (1975-76) by Timothy Leary, the cult psychologist who advocated the use of psychedelic drugs. Facsimiles of the artist's notebooks and text works are published alongside an important interview by curator Robert Storr.
具体描述
读后感
评分
评分
评分
评分
用户评价
翻过
评分翻过
评分翻过
评分翻过
评分翻过
相关图书
本站所有内容均为互联网搜索引擎提供的公开搜索信息，本站不存储任何数据与内容，任何内容与数据均与本站无关，如有需要请联系相关搜索引擎包括但不限于百度，google,bing,sogou 等
© 2025 book.wenda123.org All Rights Reserved. 图书目录大全 版权所有