君特·格拉斯,1927年生于但泽。作家、雕塑家、画家。他是当代德国最有影响的作家,文学创作涉及小说、诗歌、随笔,1999年获诺贝尔文学奖。瑞典学院称其以“嬉戏般的黑色寓言揭露被历史遗忘的面孔”。
The new book by Günter Grass is an autobiographical narrative. The story he unfolds is set between two of the central historical events of the 20th century, the outbreak of the Second World War on 1September 1939, for Grass the end of his childhood, and the Book Fair of October 1959, which saw one of the most important works of post-war German literature, his novel The Tin Drum, become a world bestseller. In his quest to discover the young man he was then, Grass exposes his memories like an archaeologist, layer by layer.
He brings his personal experience to light without reservation – war and captivity, the post- war years as a farm labourer, in the mines, at the Düsseldorf Academy of Art, his first literary successes. A portrait of the author as a young man emerges from the ever new succession of stories revealed by the »onion of memory«. Beim Häuten der Zwiebel is a work of literary research by an author who has never failed to take a stand, raising his voice and bearing witness.
对于君特•格拉斯,或许有很多人不认识(我自己也是从这本回忆录开始接触)。他 (1927~ )是德国杰出作家,曾创作过一系列重要的长篇小说,如《铁皮鼓》、《猫与鼠》、《狗年月》、《局部麻醉》、《蜗牛日记》、《比目鱼》以及《我的世纪》等;他于1979年曾访问中国,在上海...
评分我累了,只有回忆能让我保持清醒。回忆是一颗要剥皮的洋葱,从发芽时它就要把自己编成密码。。。我对埋在心里的往事也守口如瓶:回忆像孩子的游戏一样,也爱玩捉迷藏的游戏。它会躲藏起来。它爱献媚奉承,它爱梳妆打扮,而且常常并非迫不得已。他与记忆相悖,与举止迂腐、老爱...
评分摘自《新浪博客》 作者:歌特精灵 相比于岛国狭隘、扭曲的民族自尊心和具不承认历史罪行的军国主义强硬态度,德国人对待历史是中肯的,当然也是聪明的。当那些滔天罪行被暴光,骇人听闻的集中营大屠杀的铁证像强光一样不容质疑的刺入德国人的眼睛,他们没有选择沉默,也...
评分待他死时,一定会带着这本自传去见上帝,祈求后者因为他的坦诚而给予宽恕。可惜的是,最早享受这种坦白的不是爱他的人,而是他的政敌。那些几十年里被他犀利言辞批判得无地自容的人终于逮到机会口沫四溅一次:“格拉斯不配‘公民的良心’这个称谓!——他曾是个党卫军!” 让...
评分我对作家持保留意见
评分我对作家持保留意见
评分我对作家持保留意见
评分我对作家持保留意见
评分我对作家持保留意见
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