馬泰·卡林內斯庫(Matei Calinescu),美國印第安納大學比較文學教授。著有《文學與政治》(1982)、《現代主義與意識形態》(1986)等。
"Five Faces of Modernity" is a series of semantic and cultural biographies of words that have taken on special significance in the last century and a half or so: "modernity," "avant-garde," "decadence," "kitsch," and "postmodernism." The concept of modernity--the notion that we, the living, are different and somehow superior to our predecessors and that our civilization is likely to be succeeded by one even superior to ours--is a relatively recent Western invention and one whose time may already have passed, if we believe its postmodern challengers. Calinescu documents the rise of cultural modernity and, in tracing the shifting senses of the five terms under scrutiny, illustrates the intricate value judgments, conflicting orientations, and intellectual paradoxes to which it has given rise.
"Five Faces of Modernity" attempts to do for the foundations of the modernist critical lexicon what earlier terminological studies have done for such complex categories as "classicism," "baroque," "romanticism," "realism," or "symbolism" and thereby fill a gap in literary scholarship. On another, more ambitious level, Calinescu deals at length with the larger issues, dilemmas, ideological tensions, and perplexities brought about by the assertion of modernity.
现代性 社会现代性和审美现代性是一对矛盾。前者是指科学进步、工业革命、资本主义带来的全面经济社会变化的产物。而后者自浪漫派的开端就倾向于激进的反资产阶级态度。通过反叛、无政府、天启主义、自我流放等多样手段来表达厌恶。 资本主义体制产生于新教伦理...
評分总体基础比较稳,两种现代性一直贯穿。但是论述视角时不时在变,所以游离于学术概念史和现代性问题分析之间。 比较中庸,对各种悖论和时间问题把握到位。但是企图用时间牵线,有点牵强。“五副面孔”并不在一个逻辑起点上,结果被序言中一句话化解掉了。也算是有道理吧,不过是...
評分抓住资产阶级现代性和审美现代性的对立划分,以及“时间”这个关键词,还是能尽量把握一下全书的观点。不过很多地方确实是模糊地读过去,没办法搞清楚,历史和词源这两个分析角度并不友好。导言和第一章现代性概念的起点很高,导致读二三四章的时候心里不是很舒畅,落差有点大...
評分 評分抓住资产阶级现代性和审美现代性的对立划分,以及“时间”这个关键词,还是能尽量把握一下全书的观点。不过很多地方确实是模糊地读过去,没办法搞清楚,历史和词源这两个分析角度并不友好。导言和第一章现代性概念的起点很高,导致读二三四章的时候心里不是很舒畅,落差有点大...
很好的一部概念書
评分2018
评分很好的一部概念書
评分a very easy read. His analysis on revolutionary politics and Utopia is esp. relevant to regard the modernity in China.
评分aesthetic modernity as "a crisis concept involved in a threefold dialectical opposition," and modernity as "the name of a cultural family resemblance"
本站所有內容均為互聯網搜索引擎提供的公開搜索信息,本站不存儲任何數據與內容,任何內容與數據均與本站無關,如有需要請聯繫相關搜索引擎包括但不限於百度,google,bing,sogou 等
© 2025 qciss.net All Rights Reserved. 小哈圖書下載中心 版权所有