馬泰·卡林內斯庫(Matei Calinescu),美國印第安納大學比較文學教授。著有《文學與政治》(1982)、《現代主義與意識形態》(1986)等。
"Five Faces of Modernity" is a series of semantic and cultural biographies of words that have taken on special significance in the last century and a half or so: "modernity," "avant-garde," "decadence," "kitsch," and "postmodernism." The concept of modernity--the notion that we, the living, are different and somehow superior to our predecessors and that our civilization is likely to be succeeded by one even superior to ours--is a relatively recent Western invention and one whose time may already have passed, if we believe its postmodern challengers. Calinescu documents the rise of cultural modernity and, in tracing the shifting senses of the five terms under scrutiny, illustrates the intricate value judgments, conflicting orientations, and intellectual paradoxes to which it has given rise.
"Five Faces of Modernity" attempts to do for the foundations of the modernist critical lexicon what earlier terminological studies have done for such complex categories as "classicism," "baroque," "romanticism," "realism," or "symbolism" and thereby fill a gap in literary scholarship. On another, more ambitious level, Calinescu deals at length with the larger issues, dilemmas, ideological tensions, and perplexities brought about by the assertion of modernity.
总体基础比较稳,两种现代性一直贯穿。但是论述视角时不时在变,所以游离于学术概念史和现代性问题分析之间。 比较中庸,对各种悖论和时间问题把握到位。但是企图用时间牵线,有点牵强。“五副面孔”并不在一个逻辑起点上,结果被序言中一句话化解掉了。也算是有道理吧,不过是...
評分导读(译者言) 两种尖锐冲突而相互依存的现代性:社会现代性(资产阶级的现代性)和审美现代性(文化现代性和文学现代性) 现代主义:十九世纪和二十世纪之交的产物,并不号称终于历史,忠于当下鲜活的个人经验。 先锋派:十九世纪,先锋派的概念只是现代性的一种激进化的、高...
評分大体按照书的顺序来,有按自己的思路做过改动。 现代性的五副面孔 [美]马泰·卡林内斯库 一.现代主义 ·“现代性”的词源辨析 1.古代-现代、巨人-侏儒 2.培根:现代人处于世界的老年期 3.广泛的文艺现象 ·时间概念:古典=永恒、中世纪=黑暗、现代=进步/光明 ·现代性(资产阶...
only introduction
评分only introduction
评分Decadence和 Kitsch兩部分寫得稍弱、有些亂(特彆是Decadence)。Modernism那部分很精彩地闡明瞭不同的理論發展和翻譯路綫及流派,特彆是對蘇聯關於“現代主義”的理解闡釋得很清楚,對研究中國當代藝術很有幫助。
评分2018
评分The chapter on kitsch is a bit weak, but the rest of the book is absolutely awesome: Calinescu is a very rigorous analyst and although he of course cannot come close to a full coverage of that "aesthetic modernity" which he has set his views on, he gives us what seems to be the best overview of the subject of modernism I have read so far.
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