罗伯特·海因莱恩(Robert A. Heinlein,1907-1998)是世界科幻协会评出的第一位“科幻大师”,同时也是最具有影响力的美国科幻作家之一。有批评家指出,“许多当代作家企图与这种影响力较量,最后发现他们对抗的仿佛是大海或天空,毫无取胜之望。”
海因莱恩一生创作了数十部科幻长篇,曾经四次获得雨果奖长篇小说大奖,这一获奖纪录一直保持至今。
《严厉的月亮》是海因莱恩最后一部获奖长篇,与《异乡异客》、《时间足够你爱》并称为海因莱恩最优秀的三大杰作。
海因莱恩的重要作品还有:《傀儡主人》、《星兽》、《进入盛夏之门》、《银河系公民》、《星船伞兵》等。
Robert A. Heinlein was the most influential science fiction writer of his era, an influence so large that, as Samuel R. Delany notes, "modern critics attempting to wrestle with that influence find themselves dealing with an object rather like the sky or an ocean." He won the Hugo Award for best novel four times, a record that still stands. "The Moon is a Harsh Mistress" was the last of these Hugo-winning novels, and it is widely considered his finest work. It is a tale of revolution, of the rebellion of the former Lunar penal colony against the Lunar Authority that controls it from Earth. It is the tale of the disparate people--a computer technician, a vigorous young female agitator, and an elderly academic--who become the rebel movement's leaders. And it is the story of Mike, the supercomputer whose sentience is known only to this inner circle, and who for reasons of his own is committed to the revolution's ultimate success. "The Moon is a Harsh Mistress" is one of the high points of modern science fiction, a novel bursting with politics, humanity, passion, innovative technical speculation, and a firm belief in the pursuit of human freedom.
因为是“随想”,所以写的比较随便,谨代表个人对这本小说的一点观感和浅析,要是按个人标准打分的话,这本书可以打★★★★☆:相当精彩,文字活泼(偶有拖沓),人物鲜明,承载的政治因素相对比较多,但属于比较有益的思考--如果你认同的话,如果不认同,至少也能感受另一种有...
评分海恩莱茵的作品总是充满了政治思考。 在《星船伞兵》里是仿效罗马共和国的军人共和国体制。 在《月亮是个严厉的女人》里是理性无政府主义——或者说自由意志主义。 对罗斯巴德有兴趣的同学可以找来看看。不是作为科幻小说,而是作为政治小说。
评分 评分超级电脑的外挂一开有点像当年起点的种田文啦,虽然从年代来看这才是种田文的祖爷爷……尤其喜欢对月球的特殊环境影响下的人类社会构成的细致有趣的幻想,策略方面的扔石头战术也算出人意料而且我是挑不出什么大硬伤的,但是苏联的依然存在可能是大家最喜欢嘲笑的科幻作家的失败预言了。教授死前那段“We will become the crossroads for two planets, three planets, the entire Solar System. We won't be farmers forever.” 真是尽显黄金时代气象,简直热泪盈眶。扣一星因为居然完全回避了我最喜欢的“电脑如何产生意识”的话题!
评分是不是我读了一本盗版书?
评分Fucking EPIC.
评分Fucking EPIC.
评分我不太认同“科幻文学是点子文学”的说法,一个好点子不足以撑起一部好的科幻,文学性是一方面,更重要的是思想性。很多细节背后都包含了弱者战胜强者的智慧、对殖民统治社会矛盾与变革的洞察、对无政府主义的反思。比起Mike我更喜欢Prof,在教授眼里Revolution是一门科学也是一项工程,组织形态、信息交互形式、优势资源和社会环境的营造都必不可少。简单故事框架下,叙事深度超出预期。
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