From Counterculture to Cyberculture

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出版者:University Of Chicago Press
作者:Fred Turner
出品人:
页数:360
译者:
出版时间:2006-09-15
价格:USD 29.00
装帧:Hardcover
isbn号码:9780226817415
丛书系列:
图书标签:
  • cyberculture
  • counterculture
  • cultural-studies
  • 新传
  • 文化研究
  • 数字乌托邦:从反主流文化到赛博文化
  • virtualcity
  • technosis
  • 反文化运动
  • 数字文化
  • 互联网历史
  • 科技与社会
  • 文化变迁
  • 青年亚文化
  • 网络革命
  • 技术哲学
  • 信息时代
  • 社会转型
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具体描述

In the early 1960s, computers haunted the American popular imagination. Bleak tools of the cold war, they embodied the rigid organization and mechanical conformity that made the military-industrial complex possible. But by the 1990s—and the dawn of the Internet—computers started to represent a very different kind of world: a collaborative and digital utopia modeled on the communal ideals of the hippies who so vehemently rebelled against the cold war establishment in the first place.

From Counterculture to Cyberculture is the first book to explore this extraordinary and ironic transformation. Fred Turner here traces the previously untold story of a highly influential group of San Francisco Bay–area entrepreneurs: Stewart Brand and the Whole Earth network. Between 1968 and 1998, via such familiar venues as the National Book Award–winning Whole Earth Catalog, the computer conferencing system known as WELL, and, ultimately, the launch of the wildly successful Wired magazine, Brand and his colleagues brokered a long-running collaboration between San Francisco flower power and the emerging technological hub of Silicon Valley. Thanks to their vision, counterculturalists and technologists alike joined together to reimagine computers as tools for personal liberation, the building of virtual and decidedly alternative communities, and the exploration of bold new social frontiers.

Shedding new light on how our networked culture came to be, this fascinating book reminds us that the distance between the Grateful Dead and Google, between Ken Kesey and the computer itself, is not as great as we might think.

作者简介

Fred Turner is assistant professor in the department of communication at Stanford University. He is the author of Echoes of Combat: The Vietnam War in American Memory.

Turner’s research and teaching focus on digital media, journalism and the roles played by media in American cultural history. His essays have tackled topics ranging from the rise of reality crime television to the role of the Burning Man festival in contemporary new media industries.

目录信息

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1971年6月21日,一本叫做《全球概览》的杂志召开了停刊派对。杂志创办人斯图亚特·布兰德(Stewart Brand)邀请了小丑表演和混搭音乐演奏。他自己身着黑色修士长袍,赤脚在人群中走来走去。活动中,布兰德拿出两万美元现金。这是《全球概览》出版的收益,布兰德邀请大家上台讲...  

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这本书的前面部分让我艰难地读了三遍。 先是用「字节社」看完了《数字乌托邦》的前四章。一开始是很难接受这种历史类的文风,各种人名、机构名、对应的年代等等,看了一遍就忘记了。最终终于找到了阅读方法:把这些关键时间、人物、事件就像做历史课的笔记一样做成列表。既梳...  

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最近中大一位即将毕业的历史研究生自杀的事情很多人都在评论,简单说明下,我不认同说因为他读的是历史所以才轻生的观点。无论是谁,还是要好好地学学历史的。 《数字乌托邦》这本书,简单来说就是讲述了美国20世纪50年代到90年代的科技发展简史、思想文化发展简史。科技主要...

评分

1971年6月21日,一本叫做《全球概览》的杂志召开了停刊派对。杂志创办人斯图亚特·布兰德(Stewart Brand)邀请了小丑表演和混搭音乐演奏。他自己身着黑色修士长袍,赤脚在人群中走来走去。活动中,布兰德拿出两万美元现金。这是《全球概览》出版的收益,布兰德邀请大家上台讲...  

评分

这本书的前面部分让我艰难地读了三遍。 先是用「字节社」看完了《数字乌托邦》的前四章。一开始是很难接受这种历史类的文风,各种人名、机构名、对应的年代等等,看了一遍就忘记了。最终终于找到了阅读方法:把这些关键时间、人物、事件就像做历史课的笔记一样做成列表。既梳...  

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