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Cinema, Censorship, and the State 在线电子书 pdf 下载 txt下载 epub 下载 mobi 下载 2024

Cinema, Censorship, and the State
☆☆☆☆☆
简体网页||繁体网页
Nagisa Oshima 作者
The MIT Press
译者
1993-08-13 出版日期
320 页数
USD 28.00 价格
Paperback
丛书系列
9780262650397 图书编码

Cinema, Censorship, and the State 在线电子书 图书标签: 大岛渚  电影  auteur  Japan  電影  电影学  日本电影  日本   

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发表于2024-06-18

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Cinema, Censorship, and the State 在线电子书 epub 下载 mobi 下载 pdf 下载 txt 下载 2024

Cinema, Censorship, and the State 在线电子书 epub 下载 mobi 下载 pdf 下载 txt 下载 2024

Cinema, Censorship, and the State 在线电子书 pdf 下载 txt下载 epub 下载 mobi 下载 2024


Cinema, Censorship, and the State 在线电子书 用户评价

评分☆☆☆☆☆

not a showpiece, not a low-key as well.

评分☆☆☆☆☆

not a showpiece, not a low-key as well.

评分☆☆☆☆☆

not a showpiece, not a low-key as well.

评分☆☆☆☆☆

not a showpiece, not a low-key as well.

评分☆☆☆☆☆

not a showpiece, not a low-key as well.

Cinema, Censorship, and the State 在线电子书 著者简介

Cinema, Censorship, and the State 在线电子书 图书目录

Cinema, Censorship, and the State 在线电子书 pdf 下载 txt下载 epub 下载 mobi 在线电子书下载

Cinema, Censorship, and the State 在线电子书 图书描述

Nagisa Oshima is generally regarded as the most important Japanese film. director after Kurosawa and is one of Japan's most productive and celebrated postwar artists. His early films represent the Japanese New Wave at its zenith, and the films he has made since (including In the Realm of the Senses and Merry Christmas, Mr. Lawrence) have won international acclaim. The more than 40 writings that make up this intellectual autobiography reveal a rare conjunction of personal candor and political commitment. Entertaining, concise, disarmingingly insightful, they trace in vivid and carefully articulated detail the development of Oshima's theory and practice.<br /> <br /> The writings are arranged in chronological order and cover the period from the mid-1950s to the mid-1980s. Following a historical overview of the contemporary Japanese cinema, a substantial section articulates the theoretical and political rationale of 0shima's film production. Among many other topics considered in his essays, Oshima questions the economics of film production, the ethics of the documentary film, censorship (both political and sexual), and the relation of aesthetics and social taboos.

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