Art History and Visual Studies in Europe 在线电子书 pdf 下载 txt下载 epub 下载 mobi 下载 2024

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Matthew Rampley 作者

Brill

译者

2012-6-22 出版日期

588 页数

USD 136.00 价格

Hardcover

丛书系列

9789004218772 图书编码

Art History and Visual Studies in Europe 在线电子书图书标签: 艺术史艺术史学史思想史艺术英文|德文|双语艺术（史）研究文化研究

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发表于2024-12-23

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Art History and Visual Studies in Europe 在线电子书 epub 下载 mobi 下载 pdf 下载 txt 下载 2024

Art History and Visual Studies in Europe 在线电子书 pdf 下载 txt下载 epub 下载 mobi 下载 2024

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添加了目录，libgen可下载电子版。一般的史论读本多侧重以往的基本文献和问题研究，这本书介绍的都是当下研究情况，非常好的一本指南。尤其是第一部分，讨论有趣的真问题，作者们的文风也非常好，几乎每一篇文章都很精彩。第二部分各国的情况，扫得比较快，主要说了一个简单又常常被人忽视的问题，即当我们说“欧洲的传统/艺术研究”时欧洲并不是铁板一块，传统也不尽相同，尤其在当下的研究中，都想寻求自己的“特殊性”。

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Art History and Visual Studies in Europe 在线电子书著者简介

I was awarded my first degree by the University of Oxford where I combined the study of German and Ancient Greek. I later continued on to complete a PhD in German philosophy, specifically, the aesthetic thought of Friedrich Nietzsche, at the University of St. Andrews.

I have been at Birmingham since April 2010. Before coming here I worked at the University of Teesside, having previously taught at University College of the Creative Arts and Edinburgh College of Art.

My main teaching and research interests are in the art and architecture of central Europe from 1860 to the present as well as in art criticism, theory and the historiography of art.

Recent publications include: The Vienna School of Art History (Penn State University Press, 2013) and my edited volumes Heritage, Ideology and Identity in Central and Eastern Europe (Boydell, 2012) and Art History and Visual Studies in Europe: Transnational Discourses and National Frameworks (Brill, 2012). I have recently completed a critical study of the role of theories of evolution, the biological and neurological sciences in aesthetics and cultural theory, Crossing Boundaries? Art, Evolution and Neuroscience (forthcoming, 2017). I am currently leading a project funded by the Leverhulme Trust on museums of art and design and the cultural politics of Austria-Hungary in the later nineteenth century (article in the Leverhulme Annual Review at page 26), a follow-up to my earlier work on Viennese art historical thought.