A Page of Madness 在線電子書 pdf 下載 txt下載 epub 下載 mobi 下載 2024


A Page of Madness

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Aaron Gerow 作者
Ann Arbor: Center for Japanese Studies, the University of Michigan
譯者
2008 出版日期
130 頁數
0 價格
Paperback
叢書系列
9781929280520 圖書編碼

A Page of Madness 在線電子書 圖書標籤: 電影  日本  日本電影研究  Cinema   


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發表於2024-11-22

A Page of Madness 在線電子書 epub 下載 mobi 下載 pdf 下載 txt 下載 2024

A Page of Madness 在線電子書 epub 下載 pdf 下載 mobi 下載 txt 下載 2024

A Page of Madness 在線電子書 pdf 下載 txt下載 epub 下載 mobi 下載 2024



A Page of Madness 在線電子書 用戶評價

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gender role, Japanese colonialism and modernity

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A Page of Madness 在線電子書 著者簡介


A Page of Madness 在線電子書 著者簡介


A Page of Madness 在線電子書 pdf 下載 txt下載 epub 下載 mobi 在線電子書下載

A Page of Madness 在線電子書 圖書描述

Kinugasa Teinosuke's 1926 film, A Page of Madness (Kurutta ichipeiji), is celebrated as one of the masterpieces of silent cinema. It was an independently produced, experimental, avant-garde work from Japan whose brilliant use of cinematic technique was equal to if not superior to that of contemporary European cinema. Those studying Japan, focusing on the central involvement of such writers as Yokomitsu Riichi and the Nobel Prize winner Kawabata Yasunari, have seen it as a pillar of the close relationship in the Taisho era between film and artistic modernism, as well as a marker of the uniqueness of prewar Japanese film culture. But is this film really what it seems to be? Using meticulous research on the film's production, distribution, exhibition, and reception, as well as close analysis of the film's shooting script (which is not the script currently attributed to Kawabata) and shooting notes recently made available, Aaron Gerow draws a new picture of this complex work, one revealing a film divided between experiment and convention, modernism and melodrama, the image and the word, cinema and literature, conflicts that play out in the story and structure of the film and its context. Including a detailed analysis of the film and translations of contemporary reviews and shooting notes for scenes missing from the current print, Gerow's book offers provocative insight into the fascinating film A Page of Madness was - and still is - and into the struggles over this work that tried to articulate the place of cinema in Japanese society and modernity.

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