Art as we know it is dramatically changing, but popular and critical responses lag behind. In this trenchant illustrated essay, David Joselit describes how art and architecture are being transformed in the age of Google. Under the dual pressures of digital technology, which allows images to be reformatted and disseminated effortlessly, and the exponential acceleration of cultural exchange enabled by globalization, artists and architects are emphasizing networks as never before. Some of the most interesting contemporary work in both fields is now based on visualizing patterns of dissemination after objects and structures are produced, and after they enter into, and even establish, diverse networks. Behaving like human search engines, artists and architects sort, capture, and reformat existing content. Works of art crystallize out of populations of images, and buildings emerge out of the dynamics of the circulation patterns they will house. Examining the work of architectural firms such as OMA, Reiser + Umemoto, and Foreign Office, as well as the art of Matthew Barney, Ai Weiwei, Sherrie Levine, and many others, "After Art" provides a compelling and original theory of art and architecture in the age of global networks.
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艺术站在现实角度，的确是一个monetized commodity, 但是不可避免的不光是价格，还有文化价值。对于当代艺术，作者提出searchibility 的重要性，但是这些再创造并不代表艺术，只是现在趋势。创新不是再创造，而是跳入下一个era.
评分关于现代艺术已然全球化并不存在特定地域和文化背景的人能够最好的解读这个观点还是蛮认同的，至于说艺术品已然成为全球流通的一种货币这种事我就呵呵了
评分关于现代艺术已然全球化并不存在特定地域和文化背景的人能够最好的解读这个观点还是蛮认同的，至于说艺术品已然成为全球流通的一种货币这种事我就呵呵了
评分刷了两遍然而有待再刷
评分艺术站在现实角度，的确是一个monetized commodity, 但是不可避免的不光是价格，还有文化价值。对于当代艺术，作者提出searchibility 的重要性，但是这些再创造并不代表艺术，只是现在趋势。创新不是再创造，而是跳入下一个era.
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