Understanding a Photograph pdf epub mobi txt 电子书 下载 2025
John Berger was born in London in 1926. His acclaimed works of both fiction and non-fiction include the seminal Ways of Seeing and the novel G., which won the Booker Prize in 1972. In 1962 he left Britain permanently, and he now lives in a small village in the French Alps. Geoff Dyer is the author of four novels and several non-fiction books. Winner of the Lannan Literary Award, the International Centre of Photography's 2006 Infinity Award and the American Academy of Arts and Letters's E. M. Forster Award, Dyer is also a regular contributor to many publications in the UK and the US. He lives in London.
- 摄影
- 艺术
- Photography
- JohnBerger
- 英文
- 英国
- 英语
- 艺术评论
John Berger's writings on photography are some of the most original of the twentieth century. This selection contains many groundbreaking essays and previously uncollected pieces written for exhibitions and catalogues in which Berger probes the work of photographers such as Henri Cartier-Bresson and W. Eugene Smith - and the lives of those photographed - with fierce engagement, intensity and tenderness.
The selection is made and introduced by Geoff Dyer, author of the award-winning The Ongoing Moment.
How do we see the world around us? This is one of a number of pivotal works by creative thinkers whose writings on art, design and the media have changed our vision for ever.
John Berger was born in London in 1926. His acclaimed works of both fiction and non-fiction include the seminal Ways of Seeing and the novel G., which won the Booker Prize in 1972. In 1962 he left Britain permanently, and he now lives in a small village in the French Alps.
Geoff Dyer is the author of four novels and several non-fiction books. Winner of the Lannan Literary Award, the International Centre of Photography's 2006 Infinity Award and the American Academy of Arts and Letters's E. M. Forster Award, Dyer is also a regular contributor to many publications in the UK and the US. He lives in London.
具体描述
读后感
始终叹服于约翰·伯格寓居乡村，以大地的亲缘性与现代艺术水火交融，形成的那份独立观察与思考的悲悯情怀。他不滞恋艺术对象的形式本体探讨，而是切入照片背后的时代背景，摄者与被摄者之间的观念互映与影响，非赋予而直接揭示，去理解和呈现艺术当下的庄严和责任的担当，他是...
评分个人觉得看这本书时要注意带点批判的思想，为什么这样说呢？因为我们和约翰伯格的文化背景不同，有时候对一张照片先入为主的印象就会不同。 我在看《西装与照片》那一章时就有这种感觉，约翰伯格说就算把那三位农民的头挡住，通过观察他们那不得体的西装，也能看得出他们是三个...
评分 评分有图有真相？并不尽然。照片固然是一种在场的证据，但就照片本身所含有的信息以及人们对它的理解而言，“真相”之留存、反馈与解读的方式，多种多样。 约翰·伯格写过一篇文章，叫《外观》。谈述“摄影的暧昧”。他以一幅名为《男人和马》的旧照为例，阐析仅仅凭借照片的外观所...
评分作者：张之琪 约翰·伯格是一位出生于上世纪20年代的“斜杠青年”，他是小说家/诗人/画家/艺术评论家，甚至跨界电视制作，为BBC打造了著名的电视纪录片《观看之道》。在他的众多身份中，我们找不到“摄影史家”或“摄影理论家”的标签。很难想象，这位既不研究摄影史，也不亲自...
用户评价
你所喜爱的，是那个评论艺术的伯格还是那个关怀贫苦人群的伯格？渐渐寻找到答案。
评分印象最好的部分：从服装上看出对上流阶层文化霸权的自然接受；（引用）殖民统治导致对自我忠诚的分裂，被压迫者戴着压迫者的面具。
评分太好看了！！！为什么没有心中有爱的乐评人！！！In the abyss between the moment lived and the moment recorded, there is poetry and love. The opposite of the eternal is not the ephemeral, but the forgotten.
评分十星。
评分在意时间与情景，样貌与行动。
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