The Bell Jar

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To this day, Sylvia Plath's writings continue to inspire and provoke. Her only published novel, The Bell Jar, remains a classic of American literature, and The Colossus (1960), Ariel (1965), Crossing the Water (1971), Winter Trees (1971), and The Collected Poems (1981) have placed her among this century's essential American poets.

Sylvia Plath was born on October 27, 1932, the first child of Aurelia and Otto Plath. When Sylvia was eight years old, her father died--an event that would haunt her remaining years--and the family moved to the college town of Wellesley. By high school, Plath's talents were firmly established; in fact, her first published poem had appeared when she was eight. In 1950, she entered Smith College, where she excelled academically and continued to write; and in 1951 she won Mademoiselle magazine's fiction contest. Her experiences during the summer of 1953--as a guest editor at Mademoiselle in New York City and in deepening depression back home--provided the basis for The Bell Jar. Near that summer's end, Plath nearly succeeded in killing herself. After therapy and electroshock, however, she resumed her academic and literary endeavors. Plath graduated from Smith in 1955 and, as a Fulbright Scholar, entered Newnham College, in Cambridge, England, where she met the British poet, Ted Hughes. They were married a year later. After a two-year tenure on the Smith College faculty and a brief stint in Boston, Plath and Hughes returned to England, where their two children were born.

Plath had been successful in placing poems in several prestigious magazines, but suffered repeated rejection in her attempts to place a first book. The Colossus appeared in England, however, in the fall of 1960, and the publisher, William Heinemann, also bought her first novel. By June 1962, she had begun the poems that eventually appeared in Ariel. Later that year, separated from Hughes, Plath immersed herself in caring for her children, completing The Bell Jar, and writing poems at a breathtaking pace.

A few days before Christmas 1962, she moved with the children to a London flat. By the time The Bell Jar was published under the pseudonym Victoria Lucas, in early 1963, she was in desperate circumstances. Her marriage was over, she and her children were ill, and the winter was the coldest in a century. Early on the morning of February 11, Plath turned on the cooking gas and killed herself.

Plath was posthumously awarded a Pulitzer Prize in 1982 for her Collected Poems.

出版者:Harper Perennial Modern Classics
作者:Sylvia Plath
出品人:
頁數:288
译者:
出版時間:October 17, 2006
價格:$16.95
裝幀:Paperback
isbn號碼:9780061148514
叢書系列:
圖書標籤:
  • 美國 
  • Sylvia_Plath 
  • 小說 
  • SylviaPlath 
  • 英文原版 
  • 詩歌 
  • 女性 
  • AUDIOBOOK 
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Esther Greenwood is brilliant, beautiful, enormously talented, and successful, but slowly going under—maybe for the last time. In her acclaimed and enduring masterwork, Sylvia Plath brilliantly draws the reader into Esther's breakdown with such intensity that her insanity becomes palpably real, even rational—as accessible an experience as going to the movies. A deep penetration into the darkest and most harrowing corners of the human psyche, The Bell Jar is an extraordinary accomplishment and a haunting American classic.

具體描述

讀後感

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我是个含笑的女人。 我才三十岁。 像猫一样可死九次。 ——Sylvia Plath 第一次读到Sylvia Plath的诗时,就被它字里行间不加掩饰的宣泄气质所吸引。正是青涩又乖戾的年纪,不担心生活,不担心爱情,不担心未来,不担心身边的一切。刚走出一阵自闭的时光,仿佛要偿还漫长时...  

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如果Slyvia Plath生于如今的网络时代,不知道她还会不会成为诗人。网络时代让每个人都有成为诗人、小说家的可能,尽管这是一个诗意越来越少的时代,个人经验也因为过度泛滥而贬值。 每个人都有自己的恐惧、莫名的梦、生活中的小骄傲小沮丧。网络提供了诉说和分享的平台,也就是...  

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她八岁那年,父亲去世。她因此决然道:“我不再与上帝通话。”她开始创作诗歌,并渐渐成名。她是美国最大的女子学院里功课全A的优等生。她经受严重的精神疾病困扰,直至需要接受电击治疗。她数度试图自尽:割腕、自缢、溺水、服安眠药……死神却屡次手下留情。三十岁那年,她终...  

評分

她八岁那年,父亲去世。她因此决然道:“我不再与上帝通话。”她开始创作诗歌,并渐渐成名。她是美国最大的女子学院里功课全A的优等生。她经受严重的精神疾病困扰,直至需要接受电击治疗。她数度试图自尽:割腕、自缢、溺水、服安眠药……死神却屡次手下留情。三十岁那年,她终...  

用戶評價

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隻想有一天能對英文産生共鳴

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“the feminist novel in a Salinger mood...”

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whining, touchy, gloomy, jumps a lot, simply not my type of read. 《鍾形罩》

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不知道哪天鍾形罩又會扣下來

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unexpectedly hilarious and upbeat comming from Plath," A time of darkness, despair, disillusion-so black only as the inferno of the human mind can be-symbolic death, and numb shock- then the painful agony of slow rebirth and psychic regeneration"--remind me of that poem of hers: Lady Lazarus.

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