Othello 在线电子书 pdf 下载 txt下载 epub 下载 mobi 下载 2024

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William Shakespeare (Author) 作者

Arden Shakespeare

译者

2001-2-14 出版日期

442 页数

GBP 8.99 价格

Paperback

The Complete Arden Shakespeare 丛书系列

9781903436455 图书编码

Othello 在线电子书图书标签: Shakespeare 戏剧莎士比亚英国文学英国 William_Shakespeare WilliamShakespeare 文学

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Othello 在线电子书 epub 下载 mobi 下载 pdf 下载 txt 下载 2024

Othello 在线电子书 pdf 下载 txt下载 epub 下载 mobi 下载 2024

Othello 在线电子书用户评价

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O! beware, my lord, of jealousy; It is the green-ey'd monster which doth mock The meat it feeds on.

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Jealousy is not a rational affliction but the self-induced disease of the mind

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Tragedy in this play is definitely a main component, and a great emphasis that perhaps the villain doesn't always find their true defeat. the story is about racism, love, jealousy, betrayal, revenge and repentance. Othello is a hero but also a poor guy. He trust his unfaithful ensign lago the one who manipulates all other characters at will, contro

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作为一个同样以言辞去说服他人的角色，Iago的怨毒让我感觉到他对Othello的辉煌的word-music的嫉妒，也许他看出来这个人物外在辉煌背后浅薄，用现在的话来说，看你这个装逼犯装啊。Othello出场时如同天使，最后却行事如同野兽，然而直到最后接近疯狂之时依然没有放弃他的华丽言辞，让人震惊，还是说华丽言辞就是他的本人？感觉，(Othello加Iago)乘以2约等于Satan.

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I learned expressions such as "making a beast of two backs."

Othello 在线电子书著者简介

Othello 在线电子书图书目录

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Othello 在线电子书图书描述

In a period of ten years, Shakespeare wrote a series of tragedies that established him, by universal consent, in the front rank of the world?s dramatists. Critics have praised either Hamlet or King Lear as the greatest of these; Ernst Honigmann, in the most significant edition of the play for a generation, asks: why not Othello? The third of the mature tragedies, it contains, as Honigmann persuasively demonstrates, perhaps the best plot, two of Shakespeare?s most original characters, the most powerful scene in any of the plays and poetry second to none. Honigmann?s cogent and closely argued introduction outlines the reasons both for a reluctance to recognize the greatness of Othello and for the case against the play. This edition sheds new light on the text of the play as we have come to know it, and on our knowledge of its early history. Honigmann examines the major critical issues, the play in performance and the relationship between reading it and seeing it. He also explores topics such as its date, sources and the conundrum of ?double time?. 'Honigmann's extensive knowledge illuminates this play at every turn, making this the best edition of Othello now available.' Brian Vickers, Review of English Studies

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