Words of Light 在線電子書 pdf 下載 txt下載 epub 下載 mobi 下載 2024


Words of Light

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Eduardo Cadava 作者
Princeton University Press
譯者
1996-11-25 出版日期
208 頁數
USD 35.00 價格
Hardcover
叢書系列
9780691034508 圖書編碼

Words of Light 在線電子書 圖書標籤: 攝影理論  攝影史  攝影  技術  曆史   


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Words of Light 在線電子書 epub 下載 mobi 下載 pdf 下載 txt 下載 2024

Words of Light 在線電子書 epub 下載 pdf 下載 mobi 下載 txt 下載 2024

Words of Light 在線電子書 pdf 下載 txt下載 epub 下載 mobi 下載 2024



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Words of Light 在線電子書 著者簡介

Eduardo Cadava is Associate Professor of English at Princeton University. He is the author of Emerson and the Climates of History and coeditor of Who Comes after the Subject?


Words of Light 在線電子書 著者簡介


Words of Light 在線電子書 pdf 下載 txt下載 epub 下載 mobi 在線電子書下載

Words of Light 在線電子書 圖書描述

Here Eduardo Cadava demonstrates that Walter Benjamin articulates his conception of history through the language of photography. Focusing on Benjamin's discussions of the flashes and images of history, he argues that the questions raised by this link between photography and history touch on issues that belong to the entire trajectory of his writings: the historical and political consequences of technology, the relation between reproduction and mimesis, images and history, remembering and forgetting, allegory and mourning, and visual and linguistic representation. The book establishes the photographic constellation of motifs and themes around which Benjamin organizes his texts and thereby becomes a lens through which we can begin to view his analysis of the convergence between the new technological media and a revolutionary concept of historical action and understanding.

Written in the form of theses--what Cadava calls "snapshots in prose"--the book memorializes Benjamin's own thetic method of writing. It enacts a mode of conceiving history that is neither linear nor successive, but rather discontinuous--constructed from what Benjamin calls "dialectical images." In this way, it not only suggests the essential rapport between the fragmentary form of Benjamin's writing and his effort to write a history of modernity but it also skillfully clarifies the relation between Benjamin and his contemporaries, the relation between fascism and aesthetic ideology. It gives us the most complete picture to date of Benjamin's reflections on history.

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